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Jules Michelet
  • Language: en
  • Pages: 284

Jules Michelet

  • Type: Book
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  • Published: 1981-01-01
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  • Publisher: SUNY Press

None

Modern History
  • Language: en
  • Pages: 446

Modern History

  • Type: Book
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  • Published: 1855
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  • Publisher: Unknown

None

Walking In the Footsteps of the Fallen
  • Language: en
  • Pages: 208

Walking In the Footsteps of the Fallen

A visit to the battlefield of Verdun is usually dominated by the forts of Douamont and Vaux, the museum at Fleury and the striking, huge Ossuary. Although this gives a flavor of the horrific fighting that took place in the area, particularly in 1916, the visitor will be hard pressed to get much more than an impression from such places. This book seeks to guide the battlefield pilgrim into parts of the battlefield that get rarely visited by means of a series of walks, a number of which include the major sites. The four tours have been carefully walked. All are practicable for a reasonably healthy adult; the tours vary in length, most taking a half day to complete and the longest (the last) a ...

Jules Michelet
  • Language: en
  • Pages: 247

Jules Michelet

Jules Michelet, one of France’s most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michèle Hannoosh examines the crucial role that art writing played in Michelet’s work and shows how it decisively influenced his theory of history and his view of the practice of the historian. The visual arts were at the very center of Michelet’s conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, ...

Encyclopedia of the Romantic Era, 1760–1850
  • Language: en
  • Pages: 1304

Encyclopedia of the Romantic Era, 1760–1850

  • Type: Book
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  • Published: 2013-05-13
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  • Publisher: Routledge

In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.

Modern History
  • Language: en
  • Pages: 446

Modern History

  • Type: Book
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  • Published: 1855
  • -
  • Publisher: Unknown

None

Mignet, Michelet, Henri Martin
  • Language: fr
  • Pages: 390

Mignet, Michelet, Henri Martin

None

Michelet's Poetic Vision
  • Language: en
  • Pages: 252

Michelet's Poetic Vision

None

The New York Mirror Annual and Directory of the Theatrical Profession for 1888
  • Language: en
  • Pages: 244

The New York Mirror Annual and Directory of the Theatrical Profession for 1888

  • Type: Book
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  • Published: 1888
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  • Publisher: Unknown

None

Flamenco Nation
  • Language: en
  • Pages: 379

Flamenco Nation

How did flamenco—a song and dance form associated with both a despised ethnic minority in Spain and a region frequently derided by Spaniards—become so inexorably tied to the country’s culture? Sandie Holguín focuses on the history of the form and how reactions to the performances transformed from disgust to reverance over the course of two centuries. Holguín brings forth an important interplay between regional nationalists and image makers actively involved in building a tourist industry. Soon they realized flamenco performances could be turned into a folkloric attraction that could stimulate the economy. Tourists and Spaniards alike began to cultivate flamenco as a representation of the country's national identity. This study reveals not only how Spain designed and promoted its own symbol but also how this cultural form took on a life of its own.