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Yuupurnju
*Yuupurnju: A Warlpiri song cycle *documents a ceremonial song cycle situated within the traditional kurdiji “shield” ceremony, as sung by Warlpiri Elder Henry Cooke Anderson Jakamarra at Lajamanu, Northern Territory, in 2013. The song cycle relates to a women’s jukurrpa *Dreaming narrative, and tells the story of a group of ancestral women on a journey across the country. Jakamarra performed the songs (recorded by Carmel O’Shannessy) to make them available to the Warlpiri community and the wider public. *Yuupurnju: A Warlpiri song cycle includes the words of the songs in Warlpiri, interpretation in English as given by the singer, Jakamarra, and Warlpiri Elders Jerry Patrick Jangala OAM, Wanta Stephen Patrick Pawu-Kurlpurlurnu Jampijinpa and Steven Dixon Japanangka, and detailed musical notation by ethnomusicologist Myfany Turpin. It includes a foreword by two senior custodians, Jerry Patrick Jangala OAM, and Wanta Jampijinpa.
The Oxford Handbook of Language Contact
Every language has been influenced in some way by other languages. In many cases, this influence is reflected in words which have been absorbed from other languages as the names for newer items or ideas, such as perestroika, manga, or intifada (from Russian, Japanese, and Arabic respectively). In other cases, the influence of other languages goes deeper, and includes the addition of new sounds, grammatical forms, and idioms to the pre-existing language. For example, English's structure has been shaped in such a way by the effects of Norse, French, Latin, and Celtic--though English is not alone in its openness to these influences. Any features can potentially be transferred from one language ...
Vitality and Change in Warlpiri Songs
Warlpiri songs hold together the ceremonies that structure and bind social relationships, and encode detailed information about Warlpiri country, cosmology and kinship. Today, only a small group of the oldest generations has full knowledge of ceremonial songs and their associated meanings, and there is widespread concern about the transmission of these songs to future generations. While musical and cultural change is normal, threats to attrition driven by large-scale external forces including sedentarisation and modernisation put strain on the systems of social relationships that have sustained Warlpiri cultures for millennia. Despite these concerns, songs remain key to Warlpiri identity and...
Sustaining Indigenous Songs
As an ethnography of Central Australian singing traditions and ceremonial contexts, this book asks questions about the vitality of the cultural knowledge and practices highly valued by Warlpiri people and fundamental to their cultural heritage. Set against a discussion of the contemporary vitality of Aboriginal musical traditions in Australia and embedded in the historical background of this region, the book lays out the features of Warlpiri songs and ceremonies, and centers on a focal case study of the Warlpiri Kurdiji ceremony to illustrate the modes in which core cultural themes are being passed on through song to future generations.
Coast
From Eden to Byron Bay the New South Wales coast is more than 2000 kilometres long, with 130 estuaries, 100 coastal lakes and a rich history. This, the first history written of the New South Wales coast, traces our relationship with this stretch of land and sea starting millennia ago when Aboriginal people feasted on shellfish and perfected the art of building bark canoes, to our present obsession with the beach as a place to live or holiday. Leading us through the European fascination with marine life, the attempts to establish a whaling industry, the fear of seaborne invasion which led to the creation of a navy of our own in 1911 through to the rise of our unstoppable enthusiasm for surfing and fishing, Ian Hoskins argues that our current enthralment with the coast began more recently than we might think.
Aboriginal Artists Dictionary of Biographies
Includes more than 1000 names of artists, past and present, illustrated with 440 colour photographs, numerous examples of works, and portraits of the artists.
The Beatles on the Roof
At lunchtime on a bitterly cold January day in 1969, the strains of guitar chords could be heard in the streets surrounding London’s Savile Row. Crowds gathered – At ground level and above. People climbed onto roofs and postboxes, skipped lunch to gather and listen: For the first time in more than two years, The Beatles were playing live. Ringing from the rooftops, disturbing the well-to-do ears of the tailors below, they upset the establishment and bewildered the police. It was filmed by director Michael Lindsay-Hogg, who hoped the footage would act as the finale to a celebratory TV special. When it finally surfaced, it was in the bleak, tumultuous documentary Let It Be. And The Beatles...
