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The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
On the 150th anniversary of his birth, a definitive new biography of a pivotal figure in American literary history A major poet, Paul Laurence Dunbar (1872–1906) was one of the first African American writers to garner international recognition in the wake of emancipation. In this definitive biography, the first full-scale life of Dunbar in half a century, Gene Andrew Jarrett offers a revelatory account of a writer whose Gilded Age celebrity as the “poet laureate of his race” hid the private struggles of a man who, in the words of his famous poem, felt like a “caged bird” that sings. Jarrett tells the fascinating story of how Dunbar, born during Reconstruction to formerly enslaved p...
When William Henry Hunt married Ida Alexander Gibbs in the spring of 1904, their wedding was a dazzling Washington social event that joined an Oberlin-educated diplomat's daughter and a Wall Street veteran who could trace his lineage to Jamestown. Their union took place in a world of refinement and privilege, but both William and Ida had mixed-race backgrounds, and their country therefore placed severe restrictions on their lives because at that time, "one drop of colored blood" classified anyone as a Negro. This "stain" of melanin pushed the couple's achievements to the margins of American society. Nonetheless, as William followed a career in the foreign service, Ida (whose grandfather was ...
Vol. 30 includes "The first half century of the Essex Institute," and "List of present members."
This book contains 70 short stories from 10 classic, prize-winning and noteworthy authors. The stories were carefully selected by the critic August Nemo, in a collection that will please the literature lovers. For more exciting titles, be sure to check out our 7 Best Short Stories and Essential Novelists collections. This book contains: Fitz-James O'Brien: - The Diamond Lens. - The Lost Room. - What Was it? A Mystery. - My Wife's Tempter. - The Golden Ingot. - The Child Who Loved a Grave. - The Wondersmith.Francis Marion Crawford: - The Dead Smile. - The Screaming Skull. - Man Overboard! - For The Blood Is The Life. - The Upper Berth. - By The Waters of Paradise. - The Doll's Ghost.Francis S...
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types o...
Against the background of a changing world order, colonial powers frequently challenged Pan-Africanism and the reasonable arguments voiced in Pan-African Congresses. In Pan-Africanism: Visions, Initiatives, and Transformations, Mano Delea highlights how Pan-Africanism moved its epicenter, as the circumstances of world politics changed, from the Diaspora to Africa, where it was transformed and institutionalized. Unlike other research done on Pan-Africanism, Delea offers three new additions to this academic research by addressing and analyzing the responses of leading historical newspapers to the Pan-African Congresses from 1900 to 1945, examining the transformation of and division between Pan-Africanism as a social movement and as an institutionalized phenomenon, and discussing the epistemologies and knowledge production within Pan-Africanism throughout its history.
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