You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Presents the 1913 edition of African-American writer Paul Dunbar's collected poems and adds sixty poems to it, also providing variants, selected primary and secondary bibliographies, and an index of first lines.
Paul Laurence Dunbar's 'The Complete Poems of Paul Laurence Dunbar' represents a timeless collection of poetry that captures the beauty and struggles of African American life in the late 19th and early 20th centuries. Dunbar's use of dialect, rhyme, and rhythm showcases his poetic talent and unique voice, making his work stand out in American literature. This collection includes a wide range of themes, from love and nature to racism and social injustice, providing readers with a comprehensive look at Dunbar's versatility as a poet. The timeless quality of his poetry continues to resonate with readers today, making this collection a valuable piece of American literary history.
"This biography explores the life of Paul Laurence Dunbar (1872-1906), a major nineteenth-century American poet and one of the first African American writers to garner international attention and praise in the wake of emancipation. While Dunbar is perhaps best known for poems such as 'Sympathy' (a poem that ends 'I know why the caged bird sings!') and 'We Wear the Mask,' he wrote prolifically in many genres, including a newspaper he produced with his friends Orville and Wilbur Wright in their hometown of Dayton, Ohio. Before his early death he published fourteen books of poetry, four collections of short stories, and four novels, and also collaborated on theatrical productions, including the...
None
W. D. HOWELLS. What struck me in reading Mr. Dunbar's poetry was what had already struck his friends in Ohio and Indiana, in Kentucky and Illinois. They had felt, as I felt, that however gifted his race had proven itself in music, in oratory, in several of the other arts, here was the first instance of an American negro who had evinced innate distinction in literature. In my criticism of his book I had alleged Dumas in France, and I had forgetfully failed to allege the far greater Pushkin in Russia; but these were both mulattoes, who might have been supposed to derive their qualities from white blood vastly more artistic than ours, and who were the creatures of an environment more favorable to their literary development. So far as I could remember, Paul Dunbar was the only man of pure African blood and of American civilization to feel the negro life aesthetically and express it lyrically.
None
This is the only biography ever published singly of the young black who struggled against the most grinding poverty, who never completed his education as he desired, and who yet became famous when just twenty-four years of age. Enthusiastic readers of his poetry, novels, stories, and sketches turned appreciation of his work into a vogue. More than a biography, this is also a critical and comparative study of Dunbar's various books. Originally published in 1936. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.