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This volume presents a collection of writing by the foremost art critic of the modern movement as it emerged in the United States after the 1913 Armory Show. McBride wrote for The New York Sun and the literary journal The Dial.
Philippe Sands has extensively revised this leading textbook to include all new developments since 1994, including all the international case-law (ICJ, ITLOS, WTO, human rights etc.) and new international legislation (genetically modified organisms, the Kyoto Protocol, oil pollution, chemicals etc.). It is the most comprehensive account of the principles and rules relating to the protection of the environment and the conservation of natural resources. It incorporates all the key material from the 1992 Rio Declaration and subsequent developments. Topics include: the legal and institutional framework; the field's historic development; standards for general application in addition to the protection of the atmosphere, oceans etc.; the techniques available for implementation such as the environmental impact assessment and liability/compensation for environmental damage. It will be used on its own as an academic course text, as well as a reference text for practitioners.
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AcknowledgmentsPrologue: Matisse and the Culture Generally1. Journalists: Recasting the Image of the Modern Artist2. Dealers: Paul Rosenberg and Matisse Fils3. Private Collectors: Museum-Going Millionaires with a Taste for France4. Museums I: Public Relations and the Semiprivate Museum5. Museums II: Private Relations and the Semipublic Museum6. Artists: Contending with the European Modernist Canon7. Critics: Clement Greenberg's Defense of Material PleasureEpilogue: Merchandising OptimismNotesBibliographyIndex Copyright © Libri GmbH. All rights reserved.