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The Georgia Coast is one the most intriguing areas of the United States. A land of sluggish rivers, murkey blackwater swamps, and studded with a string of islands, it is the home of a special breed of people. They are as wild, reckless, exciting, beautiful, and contradictory as the land itself. One thing is for sure: both natives and visitors love it. But the story of this land is one that is often known about only in legend and hearsay, in stories and novels, and even in a few dissertations.By focusing on James Hamilton Couper, James Bagwell paints a portrait of the Georgia Coast during the late eighteenth century through the middle of the nineteenth century. Couper's family was originally ...
Between 1623 and 1960 (the date of the last execution as of 1999), Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island and Vermont legally put to death more than 700 men and women for a wide variety of capital crimes ranging from army desertion to murder. This is a companion volume to Legal Executions in New York State and Legal Executions in New Jersey, both published by McFarland. It is comprised of chronologically arranged biographical entries for the executed persons. Each entry gives personal data on the executed person, including age, ethnicity, and gender, as well as a detailed account of the crime for which he or she was sentenced to death and information on the place and method of execution. Fully indexed.
Reprint of the original, first published in 1871.
By the end of the eighteenth century, classicism, which arose out of Europe's fascination with ancient Greece and Rome, had also left its mark on America. This study of the classical style in the fine and decorative arts shows the extent to which it influenced the material culture of Savannah, Georgia, from 1800 to 1840. More than 130 examples of objects owned in Savannah in this period are illustrated, described, and discussed. The objects include oil paintings and watercolors, clocks, musical instruments, jewelry, sculptures, engravings, bank notes, needlework, china, silver, brass, lighting fixtures, architectural elements, and furniture. Page Talbott presents an overview of the origins o...
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Genealogy of the settlers of New England.
Decades before the Salem Witch trials, 11 people were hanged as witches in the Connecticut River Valley. The advent of witch hunting in New England was directly influenced by the English Civil War and the witch trials in England led by Matthew Hopkins, who pioneered "techniques" for examining witches. This history examines the outbreak of witch hysteria in the Valley, focusing on accusations of demonic possession, apotropaic magic and the role of the clergy. Although the hysteria was eventually quelled by a progressive magistrate unwilling to try witches, accounts of the trials later influenced contemporary writers during the Salem witch hunts. The source of the document "Grounds for Examination of a Witch" is identified.
Spanning nearly a century, the letters in this collection revolve around a central event in the history of a southern family: the death of the eldest son owing to sickness contracted during service in the Confederate Army. The letters reveal a slaveowning family with keen interests in art, music, and nature and an unshakable belief in their religion and in the Confederate cause. William Seagrove Smith was a private in the signal corps of the Eighteenth Battalion, Georgia Infantry. Smith was part of the force defending Savannah until it fell in late 1864, and then marched with General William J. Hardee in his famous retreat out of the city and through the Carolinas. Like so many other soldier...