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Mnemosyne
Henson's compelling images invoke the descriptive powers of baroque and brooding. His images, forever nocturnal, are dark, sonorous and laden with seductive threat.
Photographs
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Lux Et Nox
Internationally renowned photographer Bill Henson is a passionate and visionary explorer of twilight zones, between day and night, nature and civilization, youth and adulthood, male and female. Bill Henson's photographs of landscapes at dusk, of the industrial no-man's land at the outskirts of our cities, of androgynous girls and boys adrift in the nocturnal turmoil of adolescence are painterly tableaux that continue the traditions of romantic literature and painting. The rich chiaroscuro, the oscillating light, and the masterful composition of his photographs map enigmatic states that escape rationalism's iron grip, providing a much-needed antidote to a culture that increasingly looses itself in a numbing vortex of blinking screens and glittering surfaces.
Bill Henson
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Bill Henson
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Bill Henson
Bill Henson (born 1955) is one of Australia's leading contemporary photographers. His powerful and edgy images approach the painterly and the cinematic, bringing formal and classical qualities to the gritty, casual dramas of the everyday. This publication presents a selection of images, compiled by the artist, that range from sublime landscapes and nudes to classical sculpture shown in museum settings, all heightened by the velvet-like blackness of the shadows and the striking use of chiaroscuro to selectively obscure and reveal form. Henson's nudes portray his subjects as self-contained, focused on internal reveries; his landscapes are photographed at twilight, underscoring the transitional mood of the moment; and his museum images juxtapose graceful marble statues against the transfixed visitors observing them. Beautiful, enigmatic and unforgettable, Henson's images enliven our own sense of being.
The Birthday Party
This series of portraits of children preparing to attend an imaginary birthday party explore what characters might be created if role-play is pushed to imaginative extremes. The children are placed in front of the same white wall and gaze into the lens of the camera, performing within a strictly composed frame. They reveal very little of themselves and yet this makes the portraits that much more magnetic. The childlike game of dressing up and costume reinforces the surreal tone of the series - exposing a side to childhood which is removed from cliche and a perfect world.
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
The Light Fades but the Gods Remain
A significant photography publication by Bill Henson, one of Australia’s most extraordinary imaginations. Over thirty years have passed since Bill Henson made his iconic Untitled 1985/86 series. These mesmerizing photographs cast a hazy procession of people and places in suburbia, interspersed with dreamlike vignettes of Egyptian structures. Now, Henson revisits his home suburb to create new work. While these photographs return to the same cul-de-sacs as the Untitled series, they show an environment that appears to have slipped out of linear time. Henson’s new images are sumptuous and resplendent in their grandeur, offering a view of what is just down the street, but seems to come from another age. Together, the two series provide a glimpse into Henson’s brilliant mind as he ponders the passing of time. The Light Fades but the Gods Remain, celebrates an extraordinary artist at two stages in his career. Casting suburbia in an entirely new light, this publication is a captivating meditation on growing up.
Edward Steichen
By far the most lavish, thoughtfully selected, and beautifully produced book of Steichen s work.
