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The Strongest God
"This historical novel ... brings a ... new perspective to events during the New Zealand Wars. Traditional Maori beliefs were challenged by European concepts. Maori and missionary tragically failed to understand each other's gods. Pai Marire, the new religion which the Hauhau brought to Opotiki, was based on the wandering Jews of the Old Testament. The religion of the new settlers often seemed to be based on money, power and land. This book is about the men and women of the 1860s, the Reverend Carl Volkner and his wife Emma, the Whakatohea leaders Nikora and Mihiterina and the chiefs and tribespeople together with visiting traders and the businessmen of Auckland. [It] is a story of conflict between gods aold and new, between the old ways of the tribes and the new ways of the individual, between those who belonged to the land and those who wanted to own it. It is about people who sought peace in too many different ways, and who were locked in an escalating drama of confrontation and misunderstanding. It culminates in acts of violence which have reverberated down through the generations of both Maori and European New Zealanders. ..."--Jacket.
Behind the Tattooed Face
A sweeping story of action and suspense, Behind the Tattooed Face presents the complex web of Maori belief, tribal rituals and discipline which existed at the time of the voyages of Captain James Cook. The story is set in the late 1700s, about 600 years after the great canoes from the Central Pacific had arrived in New Zealand. Here in the new land off the Canoe Coast, in what is now known as the Bay of Plenty, the people settled and prospered and here Maori society reached the zenith of its power and development. Then, as the people multiplied, the question of survival became inextricably interwoven with the concepts of mana and tribal honour. The delicately poised balance of power was easily upset so that bloody warfare, cannibalism and slavery prevailed. This electrifying novel is now in its fifth printing and is the first NZ historical novel to be written by a Maori . It is also the first serious attempt to show pre-European Maori people as the really were.
The Circle & the Spiral
In Aboriginal and Māori literature, the circle and the spiral are the symbolic metaphors for a never-ending journey of discovery and rediscovery. The journey itself, with its indigenous perspectives and sense of orientation, is the most significant act of cultural recuperation. The present study outlines the fields of indigenous writing in Australia and New Zealand in the crucial period between the mid-1980s and the early 1990s – particularly eventful years in which postcolonial theory attempted to ‘centre the margins’ and indigenous writers were keen to escape the particular centering offered in search of other positions more in tune with their creative sensibilities. Indigenous writ...
The Dream Swimmer
'Eleven years have passed since that winter of 1986 when I put down my pen on the story of the woman who wore pearls in her hair, my grandmother the matriarch, Riripeti Mahana nee Pere, whom some called Artemis . . .' So begins The Dream Swimmer, Witi Ihimaera's gripping sequel to The Matriarch, acclaimed winner of the Wattie Award. The Dream Swimmer continues the odyssey of Tama Mahana, grandson and heir to the matriarch, as he assumes the mantle of leadership and, with it, his grandmother's battles with the Pakeha. But at every step Tama is thwarted – by deception and intrigue, and by the woman whose destiny has intersected Riripeti's and his. She is the enigmatic Tiana, his mother, the ...
Writing Along Broken Lines
Covering the two decades from 1972, Swiss scholar Otto Heim presents detailed readings of the novels and short fiction by Heretaunga Pat Baker, Alan Duff, Patricia Grace, Keri Hulme, Witi Ihimaera, Bruce Stewart, J. C. Sturm, Apirana Taylor, and Ngahuia Te Awekotuku. His book places the fiction by Maori writers in the context of a culture of survival and traces its textual engagement with violence between empathy and sacrifice, from the privacy of domestic violence to the public arenas of systemic violence and war. He argues that out of this confrontation with violence emerges a distinctive ethnic world view created by the construction of individual experience, the development of an ideological stance and the expression of a spiritual orientation. Heim's analysis shows works of fiction by contemporary Maori writers as challenging explorations of the constraints placed on the literary imagination by the urgent facts of the human condition and the imperatives of culture.
God in the Fray
This volume engages the work of Walter Brueggemann, most of which has been published by Fortress Press. The volume centers on the character of God in the text of the Old Testament as a site of theological tension and even ambivalence. Biblical faith never experiences God as entirely above the fray but rather as entangled in history, astonishingly transformative, and impinged upon by the voices of the suffering. Brueggemann's monumental Theology of the Old Testament addresses this fact with great theological insight and rigor, and the internationally renowned biblical scholars writing here engage and extend his insights into the "unsettled Character . . . at the center of the text."
We Will Not Cease
We Will Not Cease is the epoch record of New Zealander Archibald Baxter's brutal treatment as a conscientious objector. In 1915, when he was 33, Baxter was arrested, sent to prison, then shipped under guard to Europe, where he was forced to the front line against his will. Punished to the limits of his physical and mental endurance, Baxter was stripped of all dignity, beaten, starved, and left for dead. In a final attempt to discredit him, authorities consigned him to a mental institution, an experience that would haunt him for the rest of his life.Against the backdrop of troops being mindlessly slaughtered at the whim of upper-echelon officers, We Will Not Cease is a story of extreme bravery and ultimate resolve. Archibald Baxter's lonely fight against the war to end all wars is a nightmare that Kafka could have penned -- except that the story is true.
Maori Boy
This is the first volume of Witi Ihimaera's enthralling, award-winning memoir, packed with stories from the formative years of this much-loved writer. Witi Ihimaera is a consummate storyteller — one critic calling him one of our ‘finest and most memorable’. Some of his best stories, however, are about his own life. This honest, stirring work tells of the family and community into which Ihimaera was born, of his early life in rural New Zealand, of family secrets, of facing anguish and challenges, and of laughter and love. As Ihimaera recounts the myths that formed his early imagination, he also reveals the experiences from real life that wriggled into his fiction. Alive with an inventive, stimulating narrative and vividly portrayed relatives, this memoir is engrossing, entertaining and moving, but, more than this, it is also a vital record of what it means to grow up Maori. Winner of the Ockham New Zealand Book Award 2016 for the General Non Fiction category.
Huia Short Stories 13
Here are the best short stories from the Pikihuia Awards for Māori writers 2019 as judged by Scotty Morrison, Robyn Bargh, Tuehu Harris, Whiti Hereaka, Poia Rewi and Carol Hirschfeld. This competition, run by the Māori Literature Trust and Huia Publishers, is held every two years to promote Māori writers and their work. This year, the awards sought short fiction from first-time, emerging and published writers in te reo Māori and English. The competition attracts several hundred entries each year from writers of all ages and those who are starting out to seasoned authors. This collection of finalists’ fiction celebrates Māori writing, introduces new talent and gives an opportunity for ...
