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The Hebrew Bible as Literature
The Hebrew Bible, or Christian Old Testament, contains some of the finest literature that we have. This biblical literature has a place not only in the synagogue or the church but also among the classics of world literature. The stories of Jacob and David, for instance, present the earliest surviving examples of literary characters whose development the reader follows over the length of a lifetime. Elsewhere, as in the books of Esther or Ruth, readers find a snapshot of a particular, fraught moment that will define the character. The Hebrew Bible also provides quite a few high points of lyric poetry, from the praise and lament of the Psalms to the double entendres in the love of poetry of th...
Surviving Lamentations
Most contemporary interpretations of the biblical book of Lamentations focus on the figure of the "suffering man" as a role model for submission in the face of God's punishment for sin. Yet such a model offers small consolation to survivors of the Holocaust or other mass atrocities and also ignores chapters 1 and 2 of Lamentations, in which the personification of Zion laments her sufferings and demands a response on behalf of her dying children. In Surviving Lamentations, Tod Linafelt offers an alternative reading of Lamentations in light of the "literature of survival" (works written by survivors of catastrophe) as well as literary and philosophical reflections on "the survival of literature." He refocuses attention on the figure of Zion as a manifestation of a basic need to give voice to suffering, and traces the afterlife of Lamentations in Jewish literature, in which text after text attempts to provide the response to Zion's lament that is lacking in Lamentations itself. Seen through Linafelt's eyes, Lamentations emerges as uncannily relevant to contemporary discourse on survival.
Ruth
In Ruth, Tod Linafelt offers an interpretation of the book which he calls "unsettling," in that he refuses to settle on a single meaning in a book so fraught with complexity and ambiguity. Ambiguity built into grammar, syntax, and vocabulary carrie over into the larger issues of characterization, theology, and the book's purpose. He also argues that Ruth is intended to read as an interlude between Judges and Samuel. Esther, by Timothy Beal, focuses on a story of anti-Judaism in an ancient world that raises contemporary questions about sexism, ethnocentrism, and natioinal identity. Beal questions the text without assuming that there will be univocal answers, allowing for complexity, perplexity, and the importance of accidents. Beal emphasizes the general and the tenative over the continuous. Using rhetorical criticism as a way into the text, Beal also focuses on its narrative structure.
A Shadow of Glory
The writers of the New Testament were largely Jewish and laying the blame for the Holocaust at their feet would be absurd. However, the later cultural origins of anti-semitism means that reading the New Testament after the event calls for a new ethics of interpretation. These essays address this grave issue in detail,
God in the Fray
This volume engages the work of Walter Brueggemann, most of which has been published by Fortress Press. The volume centers on the character of God in the text of the Old Testament as a site of theological tension and even ambivalence. Biblical faith never experiences God as entirely above the fray but rather as entangled in history, astonishingly transformative, and impinged upon by the voices of the suffering. Brueggemann's monumental Theology of the Old Testament addresses this fact with great theological insight and rigor, and the internationally renowned biblical scholars writing here engage and extend his insights into the "unsettled Character . . . at the center of the text."
An Introduction to the Old Testament
In this book Walter Brueggemann, America's premier biblical theologian, introduces the reader to the broad theological scope and chronological sweep of the Old Testament. He covers every book of the Old Testament in the order in which it appears in the Hebrew Bible and treats the most important issues and methods in contemporary interpretation of the Old Testament--literary, historical, and theological.
Mel Gibson's Bible
Biblical scholars Timothy K. Beal and Tod Linafelt, along with an esteemed group of contributors, offer a provocative range of views on The Passion of the Christ. The book is organized in three parts. The first analyzes the film in terms of its religious foundations, including the Gospels and nonbiblical religious texts. The second group of essays focuses on the ethical and theological implications of the film's presentation of the Christian Gospel. Finally, the third section explores the film as a pop cultural phenomenon.
Women in the Biblical World
Volume 2 of Women in the Biblical World: A Survey of Old and New Testament Perspectives encompasses the latest research in feminist biblical scholarship. New angles of interpretation and fresh perspectives regarding often overlooked biblical women will be gained from the pages of this volume. This volume focuses on such women as Tamar, Deborah, Manoah's wife, Queen Vashti, and Job's wife. Attention is also given to socio-historical backgrounds lurking behind the biblical text (such as women in Greco-Roman education and syncretism in Ephesus), demonstrating how these backgrounds directly influenced the writings about women. Some emphasis on contemporary application is also stressed regarding problematic passages, such as 1 Corinthians 11:2-16. This multi-faceted approach to women in the Bible will prove to be invigorating, refreshing, and enlightening for all to read.
Rabbinic Tales of Destruction
Analyzing early Jewish accounts of the destruction of the Second Temple, Julia Watts Belser illuminates the brutal body costs of Roman conquest. Drawing on disability studies, feminist theory, and new materialist ecological thought, Belser reveals how rabbinic discourses of gender, sexuality, and the body are shaped in the shadow of empire.
Mary, Mother of Martyrs
The Virgin Mary has been idealized as a self-sacrificing mother throughout Christian history, but she is not the only ancient maternal figure whose story is connected to violent loss. This book examines several ancient representations of mothers and children in contexts of sociopolitical violence, demonstrating that notions of early Christian motherhood, as today, are contextual and produced for various political, social, and ethical reasons. In each chapter, the ancient maternal figure is juxtaposed with an example of contemporary maternal activism to show that maternal self-sacrifice can be understood as strategic, varied, politically charged, and rhetorically flexible.
