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Transnational Battle Field
A wake up call and a call out that takes on NAFTA, the militarized United States-Mexico border, and revolutionary culture.
The Empire of Neomemory
Literary Nonfiction. Poetry History & Criticism. Latino/Latina Studies. Translated from the Spanish by Jen Hofer, Christian Nagler, and Brian Whitener. In 1951, Charles Olson set out to spend some time in Mexico. He was only there for five months and he didn't learn much, but this time in Mexico would come to define all the poetry he was yet to write. Yépez begins with Olson in Mexico, with the possibility that he might be writing a study of Olson, a study of Olson's Mexico-philia. But what he writes instead is a breathtaking investigation of the relation between USAmerican poetry and Empire that careens idiosyncratically through the great men of empire--not just Olson, but those many other men who also traveled to Mexico, such as William Burroughs, Antonin Artaud, D. H. Lawrence, Herman Melville, and Ray Bradbury. This work is a dismantling of Olson, and of empire, and yet it is also clearly an inside job, a book that could only be written by someone who had spent hours thinking with and through--and beyond--Olson.
Wars. Threesomes. Drafts. & Mothers
Poetry. Latino/Latina Studies. WARS. THREESOMES. DRAFTS. & MOTHERS, by Heriberto Yepez, plays with September 11th. It's a book on war. A book of hate toward the United States. A book of love toward ghosts. Several stories are triggered around the war against Iraq, among them the story of a couple of brothers involved in several love triangles. This is a love-drug-passion-esquizophrenic experiment that involves you till the end. This is a book made of orgasms and quotes. This is a book on writing in the age of Empire. This is a book on the deep meaning of 'United-States'."
Eye of Witness
A wide ranging survey of internationally celebrated and acclaimed poet, translator, and editor Jerome Rothenberg. Surveying the entirety of his 50 plus years of writing and covering his 80 plus published books, this volume provides a further insight into the mind and breadth of writing of Rothenberg to date. Further critical commentaries are provided by both the author and Heriberto Yepez.
Voice Exchange Rates
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Sonnet(s)
A lost gem of permutational conceptualism from a key figure in artist's book culture, available again Known internationally as one of Mexico's most important conceptual artists, Ulises Carrión (1941-89) played a decisive role in defining and conceptualizing the genre of the artists' book through his manifesto, "The New Art of Making Books" (1975), which he wrote soon after the 1972 publication of SONNET(S) and his move from Mexico City to Amsterdam, where he opened the legendary bookshop gallery, Other Books and So, the first space dedicated exclusively to artists' publications and an important precursor to such artists' book hubs as Printed Matter. One of Carrión's earliest "bookworks," SONNET(S) represents a landmark shift in the artist's output from poetry to artists' books. Here, Carrión takes a single poem by Dante Gabriel Rossetti through 50 typographic and procedural permutations. This republication is supplemented by new essays on Carrión's bookworks by contemporary artists, writers, and scholars from Mexico, Europe and the US.
A Field on Mars
Rothenberg says: Look, hear, weigh, touch, feel, consider, this is where humans have been, this is the signandflesh and signature and shadow of our ancestry and lineage, our past, present and future, this is the trail, the human trail, this is where there is nothing to hide, nothing to fear, only sharing, infinite sharing.
ABURTO
Political scandal in Mexico about assassination.
Made in Tijuana
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