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Authenticity is a notion much debated, among discussants as diverse as cultural theorists and art dealers, music critics and tour operators. The desire to find and somehow capture or protect the “authentic” narrative, art object, or ceremonial dance is hardly new. In this masterful examination of German and American folklore studies from the eighteenth century to the present, Regina Bendix demonstrates that the longing for authenticity remains deeply implicated in scholarly approaches to cultural analysis. Searches for authenticity, Bendix contends, have been a constant companion to the feelings of loss inherent in modernization, forever upholding a belief in a pristine yet endangered cu...
A Companion to Folklore contains an original and comprehensive set of essays from international experts in the field of folklore studies. This state-of-the-art collection uniquely displays the vitality of folklore research across the globe. The Companion covers four main areas: the first section engages with the practices and theoretical approaches developed to understand the phenomena of folklore; the second discusses the distinctive shapes that folklore studies have taken in different locations in time and space; the third examines the interaction of folklore with various media, as well as folklore’s commoditization. In the final section on practice, essays offer insights into how folklo...
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This anthology is based on a symposium which had as its key issue a critical discussion of different theories of modernisation from the perspective of people's activities in local manorial societies. Modernisation can be studied in terms of changing values, norms and social relationships. From a theoretical point of view the book makes use of the possibility to change main macro-conceptions of the modernisation process, using dichotomies such as feudal/capitalist and individual/collective, and it also tries to integrate tradition and continuity perspective.
Contributors examine the establishment of folklore departments at German and Austrian universities during the National Socialist era; the perversion of the discipline for political ends by the government; and the attempt to establish a pan-German Reich Institute as an instrument of a fascist ideology.
Emotions make history and have their own history. Exploring the emotional worlds of the German people, this book tells a very different story of the twentieth century. Ute Frevert reveals how emotions have shaped and influenced not only individuals but entire societies. Politicians use emotions, and institutions frame them, while social movements work with and through them. Ute Frevert's engaging analysis of twenty essential and powerful emotions – including anger, grief, hate, love, pride, shame and trust – explores how emotions coloured major events and developments from the German Empire to the Federal Republic until this very day. Emotions also have a history, illustrated by the changing forms, meanings and atmosphere of various emotions in twentieth-century Germany: for example, hate was a driving force behind National Socialism but is out of place in a democracy. Around 1900, people associated practices with love or nostalgia that do not resonate with us today. Showcasing why Germans were enthusiastic about the war in 1914 and proud of their national football team in 2006, this book highlights the historical power of emotions as much as their own historicity.
Since its discovery by German romantics and nationalists, Rothenburg has been an established icon of the German nation and its medieval past. By tracing Rothenburg's historical development as a place of national importance, this book examines the cultural politics of historical preservation and tourism in general. In exploring the shifting practice and importance of tourism in Rothenburg and how this relates to broader debates about German culture and identity, Preservation, Tourism and Nationalism offers an important and original perspective on the changing dynamics of romanticized historical landscapes and how events are used to further national, cultural and political agendas. It also analyses the changing practices of historical preservation, and in particular, how historic preservation in Rothenburg reflects a desire to make it more historic and more German. With important insights into what it means to be German, how Germans relate to the past and how the answers to these questions have changed over time, this richly illustrated and detailed volume offers an important narrative of the rise, evolution and contestation of memory in German culture.
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The Tamburitza Tradition is a lively and well-illustrated comprehensive introduction to a Balkan folk music that now also thrives in communities throughout Europe, the Americas, and Australia. Tamburitza features acoustic stringed instruments, ranging in size from tamburas as small as a ukulele to ones as large as a bass viol. Folklorist Richard March documents the centuries-old origins and development of the tradition, including its intertwining with nationalist and ethnic symbolism. The music survived the complex politics of nineteenth-century Europe but remains a point of contention today. In Croatia, tamburitza is strongly associated with national identity and supported by an artistic an...