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La pantalla en sí misma - La pantalla operando: tres metáforas, tres formas, tres aforismos - Crear en la pantalla: combinatorias, representaciones, miradas simultáneas.
Alcance y límites de la recopilación - Clasificación de la información - Presentación de la bibliografía - Las instituciones de educación superior en Colombia - La recopilación - Uso de la base de datos.
The print edition is available as a set of two volumes (9789041101389).
This book includes the whole transcription of the trial of a converted Muslim (Morisco) from Toledo, condemned to die at the stake at the beginning of the 17th century. In their study of the trial, the authors address the question of how and to what extent Inquisition documents can be used as an historical source by contextualizing and analysing its multifaceted aspects as well as its protagonists and participants, victim, witnesses, and inquisitors. The authors elucidate the beliefs and practices of the culprit, situating his ordeal in the framework of Morisco life and its connections with North African Islam. By so doing they shed light on questions of Inquisitorial procedure, witnessing and testimony, the extent of confession, the effects of life in prison, the relations of trust between inmates and the consequences of isolation.
This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite different from a binary story of simple opposition. The book’s point of departure narrates the relationship between images and conversions, analysing the mechanisms of hybridity, and proposing a new explanation for the representation of otherness as the complex outcome of a negotiation involving integration. Contributors are: Cristelle Baskins, Giuseppe Capriotti, Ivana Čapeta Rakić, Borja Franco Llopis, Francisco de Asís García García, Yonatan Glazer-Eytan, Nicola Jennings, Fernando Marías, Elena Paulino Montero, Maria Portmann, Juan Carlos Ruiz Souza, Amadeo Serra Desfilis, Maria Vittoria Spissu, Laura Stagno, Antonio Urquízar-Herrera.
Three generations of women in one family are the characters in this intimate historical study of what it meant to be a widow in sixteenth-century Mexico City. Shirley Cushing Flint has used archival research to tell the stories of five women in the Estrada family—a mother, three daughters, and a granddaughter—from the time of the Spanish conquest of Mexico in 1520 until the 1580s. Each was once married and when widowed chose not to remarry. Their stories illustrate the constraints placed upon them both as women and as widows by the religious, secular, and legal cultures of the time and how each refused to be bound by those constraints. Money, influence, knowledge, and connections all come into play as the widows maneuver to hold onto property. Each of their stories illustrates an aspect of Spanish life in the New World that has heretofore been largely overlooked.