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Sedimentology is an easily readable textbook for undergraduate students, devoted to the main factors of sedimentation and to sedimentary environments. The basic vocabulary and the main processes are presented in a very attractive form. The presentation of sedimentary processes is illustrated by many examples. While most cases are related to present day sedimentation, a few applications to past sedimentary environments are also supplied for each considered topic.
Clay Sedimentology is a comprehensive textbook divided into six parts: - clay minerals and weathering - clay sedimentation on land - origin and behaviour of clay minerals and associated minerals in transitional environments (estuaries, deltas) and shallow-sea environments - diverse origins of clay in the marine environment - post-sedimentary processes intervening during early and late diagenesis - use of clay stratigraphic data for the reconstruction of past climate, marine circulation, tectonics, and other paleogeographical aspects. A basic idea on most topics dealing with sedimentary clays is presented and controversial data and uncertainties from the frontiers of knowledge are discussed.
The last five years have been marked by rapid technological and analytical developments in the study of shore processes and in the comprehension of shore deposits and forms, and shoreline change over time. These developments have generated a considerable body of literature in a wide range of professional journals, thus illustrating the cross-disciplinary nature of shore processes and the palaeo-environmental dimension of shore change. The justification of the book lies in bringing together these developments using an objective approach that synthesises current advances, technical progress in the analysis of shores and shore processes, contradictory interpretations, and potential advances usi...
The theme of surveillance has become an increasingly common element in movies and television shows, perhaps as a response to the sense that the world is now virtually under watch. But the recent surge of this filmic device calls for an explanation that transcends the basic assumption that media illustrates the changes of society. The persistent and growing presence of surveillance in cinematic productions is not merely a reflection of the advent of surveillance societies, but rather an aesthetic adaptation to the evolution of watching patterns. In Surveillance on Screen: Monitoring Contemporary Films and Television Programs, S bastien Lefait examines this ever-increasing phenomenon. Drawing ...
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