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Loosing My Espanish
Oscar Delossantos is about to lose his job as a teacher at a Jesuit high school in Chicago. Rather than go quietly, he embarks on a valiant last history lesson that chronicles the flight from Cuba of his makeshift extended family.Evoking the struggle between nostalgia and the realities of the Cuban Revolution with both grit and lyricism, he inspires his students with an altogether dazzling reinterpretation of the Cuban-American experience. By turns heartbreaking, funny, and brilliantly inventive, Loosing My Espanish is a singular debut. From the Trade Paperback edition.
The Gay Girl in Damascus Hoax
The Gay Girl in Damascus Hoax explores the vulnerability of educated and politically engaged Westerners to Progressive Orientalism, a form of Orientalism embedded within otherwise egalitarian and anti-imperialist Western thought. Early in the Arab Spring, the Gay Girl in Damascus blog appeared. Its author claimed to be Amina Arraf, a Syrian American lesbian Muslim woman living in Damascus. After the blog’s went viral in April 2011, Western journalists electronically interviewed Amina, magnifying the blog’s claim that the Syrian uprising was an ethnically and religiously pluralist movement anchored in an expansive sense of social solidarity. However, after a post announced that the secret...
Zintl Phases
Gordon J. Miller, Michael W. Schmidt, Fei Wang, Tae-Soo You: Quantitative Advances in the Zintl-Klemm Formalism Jürgen Evers: High Pressure Investigations on AIBIII Zintl Compounds (AI = Li to Cs; BIII = Al to Tl) up to 30 GPa Andrei Shevelkov, Kirill Kovnir: Zintl Clathrates Ulrich Häussermann, Verina F. Kranak, Kati Puhakainen: Hydrogenous Zintl Phases: Interstitial versus Polyanionic Hydrides
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We Have Never Been Woke
"A book that explores the disconnect between the ideals of the Great Awokening and the realities of fixing structural inequality. This book aims to explain how a new elite has risen to prominence and established a social order that is fundamentally premised on exclusion, exploitation and condescension even as its members define themselves in terms of their commitments to uplifting the marginalized and disadvantaged. The book will illustrate how this core tension within the new elite explains a number of trends we've seen, from the Great Awokening to growing political polarization and beyond. We Have Never Been Woke will draw from and build upon al-Gharbi's work over the last six years that h...
The fourth "R"
Journey through time to develop language skills. As cultures converge in global 21st century classroom, students of multiethnic backgrounds require varied models to succeed. Reading, writing, and arithmetic which served our industrial society may be enhanced by a new fourth “R” or remembrance as educational focus for the age of technology and multiculturalism.
Mother Knows
Ann Beattie, Joyce Carol Oates, Richard Bausch, and twenty-one other celebrated American writers contribute to this moving anthology of fiction, compiled by the editors of the Glimmer Train literary quarterly. In the ten-plus years since Susan Burmeister-Brown and Linda B. Swanson-Davies founded Glimmer Train, they have introduced an astonishing array of talented and innovative authors to a growing readership hungry for inspiring fiction. The stunning stories in this anthology -- many of which have never appeared anywhere except in Glimmer Train Stories -- explore one of the most complex emotional and psychological ties of all: motherhood, and its many facets. The writers in Mother Knows include established authors as well as up-and-coming talents like Junot DÍaz and award-winning writers like Robin Bradford, Nancy Reisman, Lee Martin, and Doug Crandell. Their stories demonstrate that motherhood is more than toilet training and tantrum control, as they portray the full, fierce, joyous, and frightening range of experience that marks this state of being. Mother Knows is a thoughtful and powerful exploration of the most mysterious bond in life.
The Afro-Latin@ Experience in Contemporary American Literature and Culture
This book examines contemporary Afro-Latin@ literature and its depiction of the multifaceted identity encompassing the separate identifications of Americans and the often-conflicting identities of blacks and Latin@s. The Afro-Latin@ Experience in Contemporary American Literature and Culture highlights the writers’ aims to define Afro-Latin@ identity, to rewrite historical narratives so that they include the Afro-Latin@ experience and to depict the search for belonging. Their writing examines the Afro-Latin@ encounter with race within the US and exposes the trauma resulting from the historical violence of colonialism and slavery.
A Companion to Comparative Literature
A Companion to Comparative Literature presents a collection of more than thirty original essays from established and emerging scholars, which explore the history, current state, and future of comparative literature. Features over thirty original essays from leading international contributors Provides a critical assessment of the status of literary and cross-cultural inquiry Addresses the history, current state, and future of comparative literature Chapters address such topics as the relationship between translation and transnationalism, literary theory and emerging media, the future of national literatures in an era of globalization, gender and cultural formation across time, East-West cultural encounters, postcolonial and diaspora studies, and other experimental approaches to literature and culture
Let's Hear Their Voices
Let's Hear Their Voices brings together works by ten distinguished and emerging Cuban American writers of the "second generation"—writers who were born between 1960 and the mid-1980s in the United States to Cuban parents or have a mixed ethnic background. Called "ABCs" (American-Born Cubans) or "AmeriCubans," these writers experiment with different formal approaches and lace their work with Cuban Spanish to give voice to hybrid identities and cultural legacies within the contemporary multicultural United States. An introduction by Iraida H. López identifies key tropes in their poetry, prose, and drama, and provides an overview of Cuban American literature since the 1960s. With both original and previously published pieces by award-winning authors—including President Obama's Second Inaugural Poet, Richard Blanco—the volume makes a welcome contribution to the fields of Latinx and American literature, as well as critical discussions across disciplines about the intersections of latinidad with race, class, gender, and sexuality.
