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Engaging the Other: 'Japan' and Its Alter-Egos, 1550-1850
In Engaging the Other: “Japan and Its Alter-Egos”, 1550-1850 Ronald P. Toby examines new discourses of identity and difference in early modern Japan, a discourse catalyzed by the “Iberian irruption,” the appearance of Portuguese and other new, radical others in the sixteenth century. The encounter with peoples and countries unimagined in earlier discourse provoked an identity crisis, a paradigm shift from a view of the world as comprising only “three countries” (sangoku), i.e., Japan, China and India, to a world of “myriad countries” (bankoku) and peoples. In order to understand the new radical alterities, the Japanese were forced to establish new parameters of difference from familiar, proximate others, i.e., China, Korea and Ryukyu. Toby examines their articulation in literature, visual and performing arts, law, and customs.
Images of Familial Intimacy in Eastern and Western Art
Images of Familial Intimacy in Eastern and Western Art offers a comparative art and socio-historical analysis of selected images of familial intimacy in Asia and Europe from the pre-modern era to the present day based on an examination of the value systems and expectations existing at the time in the regions in which the works were created. A wide variety of images are discussed ranging from family portraits and depictions of the home in seventeenth-century Dutch genre paintings, ukiyoe prints and fusuma sliding wall panels of the Edo period, to familial images made after the Korean War of 1950-53, providing the reader with a rare insight into the evolution East and West of the cultural norms and customs impacting on the family and personal space.
Signal Processing, Image Processing and Pattern Recognition
This book comprises selected papers of the International Conference on Signal Processing, Image Processing and Pattern Recognition, SIP 2011, held as Part of the Future Generation Information Technology Conference, FGIT 2011, in Conjunction with GDC 2011, in Conjunction with GDC 2011, Jeju Island, Korea, in December 2011. The papers presented were carefully reviewed and selected from numerous submissions and focus on the various aspects of signal processing, image processing and pattern recognition.
Signal Processing and Multimedia
Welcome to the proceedings of the 2010 International Conferences on Signal Proce- ing, Image Processing and Pattern Recognition (SIP 2010), and Multimedia, C- puter Graphics and Broadcasting (MulGraB 2010) – two of the partnering events of the Second International Mega-Conference on Future Generation Information Te- nology (FGIT 2010). SIP and MulGraB bring together researchers from academia and industry as well as practitioners to share ideas, problems and solutions relating to the multifaceted - pects of image, signal, and multimedia processing, including their links to compu- tional sciences, mathematics and information technology. In total, 1,630 papers were submitted to FGIT 2010 from...
Capitalscapes
Following the destruction of Kyoto during the civil wars of the late fifteenth century, large-scale panoramic paintings of the city began to emerge. These enormous and intricately detailed depictions of the ancient imperial capital were unprecedented in the history of Japanese painting and remain unmatched as representations of urban life in any artistic tradition. Capitalscapes, the first book-length study of the Kyoto screens, examines their inception in the sixteenth to early seventeenth centuries, focusing on the political motivations that sparked their creation. Close readings of the Kyoto screens reveal that they were initially commissioned by or for members of the Ashikaga shogunate a...
Whistler and Artistic Exchange between Japan and the West
Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century. Studies of Japonisme have been dominated by searching out relationships of influence between artworks–trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of 'spillover effects' is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalisation, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more...
