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Big Sur and the Oranges of Hieronymus Bosch
Big Sur is the portrait of a place--one of the most colorful in the U.S.--and of the extraordinary people Miller knew there: writers (& writers who didn't write), mystics seeking truth in meditation (& the not-so-saintly looking for sex-cults or celebrity), sophisticated children & adult innocents; geniuses, cranks & the unclassifiable. Henry Miller writes with a buoyancy & brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book--the testament of a free spirit who has broken through the restraints & cliches of modern life to find within himself his own kind of paradise.
Art and Visual Perception, Second Edition
A 50-year-old classic, which was revised and expanded in 1974. Explains how the eye organizes visual material according to psychological laws.
The Painter's Pocket Book of Methods and Materials
First published in 1941, this concise guide is the perfect reference for artists of all levels. Hilaire Hiler covers everything from the basics of color theory to the use of modern materials like acrylics and synthetic pigments. With clear explanations, helpful diagrams, and practical advice, this pocket-sized book is an essential tool for anyone looking to improve their technique and expand their artistic horizons. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Diary of Anaïs Nin, 1931–1934
The acclaimed author details her bohemian life in 1930s Paris—including her famous affair with Henry Miller—in the classic first volume of her diaries. Born in France to Cuban parents, Anais Nin began keeping a diary at the age of eleven and continued the practice for the rest of her life. Confessional, scandalous, and thoroughly absorbing, her diaries became one of the most celebrated literary projects of the twentieth century. Writing candidly of her marriages and affairs—including those with psychoanalyst Otto Rank and author Henry Miller—Nin presents a passionate and detailed record of a modern woman’s journey of self-discovery. Edited and with an introduction by Gunther Stuhlmann, this celebrated first volume begins in the winter of 1931 and ends in the fall of 1934. It covers an auspicious time in Nin’s life, from when she is about to publish her first book to her decision to leave Paris for New York.
Use My Name
A unique biography of Jack Kerouac, which gives a greater understanding of the 'King of the Beats' by exploring the lives of the five people who knew him best: his daughter (Jan Kerouac), wives (Edie Parker, Joan Haverty, Stella Sampas) and nephew (Paul Blake, Jr). Not one of these people seem to have benefited from the connection, as the late Jan Kerouac amply demonstrates in her interview with the author. She discusses at length her 15 months as a prostitute, her own marital problems, her hospitalization, and her life as a writer, including a wild book tour for Baby Driver.
A Literate Passion
A “lyrical, impassioned” document of the intimate relationship between the two authors that was first disclosed in Henry and June (Booklist). This exchange of letters between the two controversial writers—Anaïs Nin, renowned for her candid and personal diaries, and Henry Miller, author of Tropic of Cancer—paints a portrait of more than two decades in their complex relationship as it moves through periods of passion, friendship, estrangement, and reconciliation. “The letters may disturb some with their intimacy, but they will impress others with their fragrant expression of devotion to art.” —Booklist “A portrait of Miller and Nin more rounded than any previously provided by critics, friends, and biographers.” —Chicago Tribune Edited and with an introduction by Gunther Stuhlmann
Depression-Era Murals of the Bay Area
The San Francisco Bay Area's art community was thriving until the Great Depression strangled commerce in the 1930s. Pres. Franklin D. Roosevelt's New Deal art programs brought relief to many talented but financially strapped artists. Their legacy, and that of the New Deal, adorns the walls and halls of many public spaces throughout the region. Murals cover the lobbies of the Coit Memorial Tower, the Beach Chalet, and the Aquatic Park Bathhouse (today's San Francisco Maritime Museum) and decorate many public schools and post offices. Today, almost all of this wonderful art can be viewed by the public, free of charge.
San Francisco in the 1930s
Originally published: New York: Hastings House, 1940, as part of the American guide series. Title of rev. 2d ed. (1947) was: San Francisco, the bay and its cities.
The Nightinghouls of Paris
The Nightinghouls of Paris is a thinly fictionalized memoir of the darker side of expatriate life in Paris. Beginning in 1928, the story follows the changes undergone by Canadian youths John Glassco and his friend Graeme Taylor during their (mis)adventures in Paris while trying to become writers. There they meet Robert McAlmon, who guides them through the city’s cafes, bistros, and nightclubs, where they find writers and artists including Kay Boyle (with whom Glassco has a fling), Bill Bird, Djuna Barnes, Claude McKay, Hilaire Hiler, Peggy Guggenheim, and Ernest Hemingway. Fleeing France in late 1940, Robert McAlmon lost his notebook manuscripts and drafted The Nightinghouls of Paris from memory. Till now, it has existed solely as a typescript held by Yale University. Unlike most memoirs of American expatriates in the ‘20s, The Nightinghouls of Paris centers not only on writers, but also encompasses the racial, national, and social mélange they encountered in everyday life.
