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An examination of two influential women writers in the mid-nineteenth century which challenges many common assumptions about the development of the Russian literary tradition
This collection of essays is the first book to appear on the society tale in nineteenth-century Russian fiction. Written by a team of British and American scholars, the volume is based on a symposium on the society tale held at the University of Bristol in 1996. The essays examine the development of the society tale in Russian fiction, from its beginnings in the 1820s until its subsumption into the realist novel, later in the century. The contributions presented vary in approach from the text or author based study to the generic or the sociological. Power, gender and discourse theory all feature strongly and the volume should be of considerable interest to students and scholars of nineteenth-century Russian literature. There are essays covering Pushkin, Lermontov, Odoevsky and Tolstoi, as well as more minor writers, and more general and theoretical approaches.
An in-depth comparative analysis of the family novel as it developed as a genre in Russia and England during the course of the nineteenth century.
From the contents: From Pantheon to Pandemonium (Richard Peace). - Karamzin's Gothic tale: The Island of Bornholm (Derek Offord). - Alessandra TOSI: At the origins of the Russian Gothic novel: Nikolai Gnedich's Don Corrado de Gerrera (1803) (Alessandra Tosi). - Does Russian Gothic verse exist? The Case of Vasilii Zhukovskii (Michael Pursglove). - The fantastic in Russian Romantic prose: Pushkin's The Queen of Spades (Claire Whitehead).
Given the restrictions on political action and even political discussion in Russia, Russian literary journals have served as the principal means by which Russia discovered, defined and shaped itself. Every issue of importance for literate Russians - social, economic, literary - made its appearance in one way or another on the pages of these journals, and virtually every major Russian novel of the nineteenth century was first published there in serial form. Literary Journals in Imperial Russia - a collection of essays by leading scholars, originally published in 1998 - was the first work to examine the extraordinary history of these journals in imperial Russia. The major social forces and issues that shaped literary journals during the period are analysed, detailed accounts are provided of individual journals and journalists, and descriptions are offered of the factors that contributed to their success.
In December 1825, a group of liberal aristocrats, officers, and intelligentsia mounted a coup against the tsarist government of Russia. Inspired partially by the democratic revolutions in the United States and France, the Decembrist movement was unsuccessful; however, it led Russia's civil society to new avenues of aspiration and had a lasting impact on Russian culture and politics. Many writers and thinkers belonged to the conspiracy while others, including the poet Alexander Pushkin, were loosely or ambiguously affiliated. While the Decembrist movement and Pushkin's involvement has been well covered by historians, Emily Wang takes a novel approach, examining the emotional and literary moti...
A Party for Lazarus is the story of a Cuban family, six generations removed from slavery, struggling to honor its ancestors amid changing fortunes and a crumbling state. This intimate intergenerational account centers on an annual feast celebrating ancestors and orisás—the life-changing spirits at the heart of Black Atlantic religious life. Based on twenty years of fieldwork, Todd Ramón Ochoa’s masterful ethnography shows how orisá praise and everyday life have changed in revolutionary Cuba over two decades of economic hardship.
“A fresh and lively approach to understanding how the various Russian empires have worked.” —Slavic Review A fundamental dimension of the Russian historical experience has been the diversity of its people and cultures, religions and languages, landscapes and economies. For six centuries this diversity was contained within the sprawling territories of the Russian Empire and the Soviet Union, and it persists today in the entwined states and societies of the former USSR. Russia’s People of Empire explores this enduring multicultural world through life stories of 31 individuals―famous and obscure, high born and low, men and women―that illuminate the cross-cultural exchanges at work f...
Gender and Sexuality in Russian Civilisation considers gender and sexuality in modern Russia in the nineteenth and early twentieth centuries. Chapters look individually at gender and sexuality through history, art, folklore, philosophy or literature,but are also arranged into sections according to the arguments they develop. A number of chapters also consider Russia in the Soviet and post-Soviet periods. Thematic sections include: *Gender and Power *Gender and National Identity *Sexual Identity and Artistic Impression *Literary Discourse of Male and Female Sexualities *Sexuality and Literature in Contemporary Russian Society
Likened to a second Tsar in Russia and attaining prophet-like status around the globe, Tolstoy made an impact on literature and the arts, religion, philosophy, and politics. His novels and stories both responded to and helped to reshape the European and Russian literary traditions. His non-fiction incensed readers and drew a massive following, making Tolstoy an important religious force as well as a stubborn polemicist in many fields. Through his involvement with Gandhi and the Indian independence movement, his aid in relocating the Doukhobors to Canada, his correspondence with American abolitionists and his polemics with scientists in the periodical press, Tolstoy engaged a vast array of national and international contexts of his time in his life and thought. This volume introduces those contexts and situates Tolstoy—the man and the writer—in the rich and tumultuous period in which his intellectual and creative output came to fruition.