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From Samoa with Love?
Du site de l'éd.: The displays were presented in amusement parks, zoological gardens and even at Munich's Oktoberfest beer festival. The viewers could travel "around the world for fifty Pfennig" and experience "typical" Samoan culture in the form of dances, music and weapon performances. This shaped the ways in which people saw (and continue to see) foreign cultures. This beautifully illustrated volume also explores the echoes of the Völkerschauen to be found in works of art created during the German Empire, including by the Brücke (Bridge) artists based in Dresden and Erich Heckel's drypoint Samoanischer Tanz (Samoan Dance), 1910; and traces German and Samoan interests.
Peoples on Parade
Examines the phenomenon of human exhibitions in nineteenth-century Britain and considers how this legacy informs understandings of race and empire today.
Staged Otherness
The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating t...
Advertising Empire
David Ciarlo offers an innovative visual history of each of these transformations. Tracing commercial imagery across different products and media, Ciarlo shows how and why the "African native" had emerged by 1900 to become a familiar figure in the German landscape, selling everything from soap to shirts to coffee. The racialization of black figures, first associated with the American minstrel shows that toured Germany, found ever greater purchase in German advertising up to and after 1905, when Germany waged war against the Herero in Southwest Africa. The new reach of advertising not only expanded the domestic audience for German colonialism, but transformed colonialism's political and cultural meaning as well as, by infusing it with a simplified racial cast.
Savages and Beasts
To modern sensibilities, nineteenth-century zoos often seem to be unnatural places where animals led miserable lives in cramped, wrought-iron cages. Today zoo animals, in at least the better zoos, wander in open spaces that resemble natural habitats and are enclosed, not by bars, but by moats, cliffs, and other landscape features. In Savages and Beasts, Nigel Rothfels traces the origins of the modern zoo to the efforts of the German animal entrepreneur Carl Hagenbeck. By the late nineteenth century, Hagenbeck had emerged as the world's undisputed leader in the capture and transport of exotic animals. His business included procuring and exhibiting indigenous peoples in highly profitable spect...
Worldly Provincialism
Worldly Provincialism introduces readers to German anthropology during the age of empire and illustrates how the initial motives and interests that gave birth to German anthropology were channeled and shaped by contexts as various as romantic voyages in the South Pacific, the Herero wars in Southwest Africa, open-air presentations of exotic peoples in Berlin, and prison camps during World War I. It also shows that Germans' unique intellectual traditions, their emphasis on concepts of culture, and the late arrival of both the German nation-state and the German colonial empire affected their interest in and relationships with non-Europeans. Worldly Provincialism confirms that there is no justi...
Refocusing Ethnographic Museums through Oceanic Lenses
Refocusing Ethnographic Museums through Oceanic Lenses offers a collaborative ethnographic investigation of Indigenous museum practices in three Pacific museums located at the corners of the so-called Polynesian triangle: Bernice Pauahi Bishop Museum, Hawai‘i; Museum of New Zealand Te Papa Tongarewa; and Museo Antropológico Padre Sebastián Englert, Rapa Nui. Since their inception, ethnographic museums have influenced academic and public imaginations of other cultural-geographic regions, and the often resulting Euro-Americentric projection of anthropological imaginations has come under intense pressure, as seen in recent debates and conflicts around the Humboldt Forum in Berlin, Germany. ...
Residential Segregation as Part of Imperial Policies
Windhoek, capital city of South West Africa or modern Namibia, represents an extraordinary showpiece for overlapping colonial planning regimes. For the first time, this book focuses on the decades between both World Wars when German and South African planning laws were amalgamated. It reveals the actions taken to implement a system of residential segregation from a transnational perspective. As the analysis demonstrates, Windhoek tended to replicate the colonial idea of a Dual City. But in fact the administration created a Hybrid City and there was no predetermined path to apartheid.
Ethnic Expositions in Italy, 1880 to 1940
Comprehensively analyzing for the first time the phenomenon of ethnic living expositions in Italy between the 19th and 20th centuries, this book deals with the subject from a comparative European perspective and over the long term, studying analogies and differences in precedents as far back as the early modern age. The research, which seeks to go beyond the simplistic concept of "human zoos," intends to highlight the intentions, assumptions, and mechanisms of realization of the exhibitions of exotic living humans and the reactions from both the exhibited subjects and the public, exploiting a wide variety of heterogeneous sources capable of bringing out a kind of widespread popular ethno-ant...
