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Tokyo Boogie-Woogie
Emerging in the 1920s, the Japanese pop scene gained a devoted following, and the soundscape of the next four decades became the audible symbol of changing times. In the first English-language history of this Japanese industry, Hiromu Nagahara connects the rise of mass entertainment with Japan’s transformation into a postwar middle-class society.
Tokyo Boogie-woogie
Between the late 1920s and 1960s, Japan's recording industry produced songs that they simply labeled, "Popular Songs" (ryūkōka). Emerging within the context of the dramatic expansion of mass media during some of the most volatile decades in Japanese history, this musical genre came to occupy the mainstream of Japan's commercial music scene. Tokyo Boogie-Woogie is the first book-length, historical study in English of this musical phenomenon and its impact on the politics of culture in modern Japan. The book focuses on the broad range of self-appointed popular song critics, including musicians, intellectuals, political activists, and government officials, all of whom engaged in a series of contentious debates on these songs' cultural and social merits, or, more frequently, the lack thereof.--
Unpopular Music
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Unpopular Music
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Laws of the Land
A groundbreaking history of fengshui’s roles in public life and law during China’s last imperial dynasty Today the term fengshui, which literally means “wind and water,” is recognized around the world. Yet few know exactly what it means, let alone its fascinating history. In Laws of the Land, Tristan Brown tells the story of the important roles—especially legal ones—played by fengshui in Chinese society during China’s last imperial dynasty, the Manchu Qing (1644–1912). Employing archives from Mainland China and Taiwan that have only recently become available, this is the first book to document fengshui’s invocations in Chinese law during the Qing dynasty. Facing a growing p...
Negotiating Censorship in Modern Japan
Censorship in Japan has seen many changes over the last 150 years and each successive system of rule has possessed its own censorship laws, regulations, and methods of enforcement. Yet what has remained constant through these many upheavals has been the process of negotiation between censor and artist that can be seen across the cultural media of modern society. By exploring censorship in a number of different Japanese art forms – from popular music and kabuki performance through to fiction, poetry and film – across a range of historical periods, this book provides a striking picture of the pervasiveness and strength of Japanese censorship across a range of media; the similar tactics use...
The Cambridge Companion to K-Pop
Probes the complexities of this vibrant global phenomenon, its infrastructure, idols, dance practices, and transnational community building.
Footprints in Paradise
Introduction: "We Want Them to Know Nature -- Chapter 1. Okinawa's Tourism Imperative -- Chapter 2. Slow Vulnerability in Okinawa -- Chapter 3. Knowing and Noticing -- Chapter 4. Ecologies of Nearness -- Chapter 5. Healing and Nature -- Conclusion: Yambaru Funbaru! -- References -- Index
Magazines and the Making of Mass Culture in Japan
Magazines and the Making of Mass Culture in Japan provides a detailed yet approachable analysis of the mechanisms central to the birth of mass culture in Japan by tracing the creation, production, and circulation of two critically important family magazines: Kingu (King) and Ie no hikari (Light of the Home). These magazines served to embed new instruments of mass communication and socialization within Japanese society and created mechanisms to facilitate the dissemination of hegemonic forms of discourse in the first half of the twentieth century. The amazing success of Kingu and Ie no hikari during the 1920s and 1930s not only established and normalized participation in a Japanese mass natio...
