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漢語英譯辭典
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Statistical Reporter
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ABC Dictionary of Sino-Japanese Readings
The significance of Japanese-language scholarship on China cannot be overstated. Yet much of it is largely untapped by China scholars in both the West and China, in part because they are unfamiliar with the Japanese pronunciation of Chinese characters. Even those who know Japanese are frequently frustrated when seeking an obscure reading of a personal or place name. The purpose of this volume is to enable Sinologists and others involved in Chinese studies to access entries in Japanese reference works dealing with China without going through the time-consuming process of looking up characters by radical and stroke. For users of this dictionary, it is a simple matter to find a character by loo...
The Last Tosa
Iwasa Katsumochi Matabei (1578-1650) is one of the most controversial figures in Japanese art history. For more than half a century, historians have argued over Matabei's role in Japanese art: Was he, as he asserted, "The Last Tosa" (the school of painters who specialized in Yamato-e, a kind of classical courtly painting) or, as others characterized him, "The Founder of Ukiyo-e," the style of painting associated with the urban commoner class. In this highly original and convincing study, Matabei emerges as both - an artist in whose work can be seen elements of both Yamato-e and Ukiyo-e. Extending its analysis beyond the individual artist, The Last Tosa examines the trends and artistic developments of a transitional period and makes heretofore unexamined connections between the world of the aristocrat and the merchant as well as the two artistic schools that reflected their tastes.
Japanese-English and English-Japanese Dictionary
Reprint of the original, first published in 1873.
The Edward Burr Van Vleck Collection of Japanese Prints
The Van Vleck collection of Japanese woodblock prints is one of the Elvehjem Museum of Art's (now the Chazen Museum of Art) most important collections of more than 3700 prints collected by Van Vleck between 1910 and 1943, including the prints that Frank Lloyd Wright collected in Japan in the 1920s. This copiously illustrated catalog is the culmination of several years of intensive study and documentation, and is the first step in making this impressive collection accessible to museum visitors and scholars. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
