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The Fairy-Tale Vanguard
Ever since its early modern inception as a literary genre unto its own, the fairy tale has frequently provided authors with a textual space in which to reflect on the nature, status and function of their own writing and that of literature in general. At the same time, it has served as an ideal laboratory for exploring and experimenting with the boundaries of literary convention and propriety. While scholarship pertaining to these phenomena has focused primarily on the fairy-tale adaptations and deconstructions of postmodern(ist) writers, this essay collection adopts a more diachronic approach. It offers fairy-tale scholars and students a series of theoretical and literary-historical expositions, as well as case studies on English, French, German, Swedish, Danish, and Romanian texts from the seventeenth to the twenty-first century, by authors as diverse as Marie-Catherine d’Aulnoy, Rikki Ducornet, Hans Christian Andersen and Robert Coover.
A History of Scandinavian Theatre
The theatrical heritage from which both Ibsen and Strindberg sprang is rich in tradition and achievement. This study of the history and development of theatre in Scandinavia examines dominant styles and trends in various periods, from the earliest performances in the Middle Ages to the provocative productions and experiments of the present day. The closely interrelated theatrical cultures of Denmark, Sweden, and Norway have flourished for far longer than many outside observers realize. Moreover, as this book also demonstrates, the manifest vitality of theatrical activity in the three Nordic countries has depended on a vigorous interaction (not a one-way traffic) with European theatre at larg...
Scandinavian Studies
Includes Proceedings of the Society.
Index Nordicus
None
Europa
None
The Reader's Encyclopedia of World Drama
Concentrates on drama as literaturey.
Modern Nordic Plays
None
Obituaries on File
None
