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A History of the North-western Editorial Excursion to Arkansas
  • Language: en
  • Pages: 440

A History of the North-western Editorial Excursion to Arkansas

  • Type: Book
  • -
  • Published: 1876
  • -
  • Publisher: Unknown

None

A History of the North-western Editorial Excursion to Arkansas
  • Language: en
  • Pages: 436

A History of the North-western Editorial Excursion to Arkansas

  • Type: Book
  • -
  • Published: 1876
  • -
  • Publisher: Unknown

None

This City Belongs to You
  • Language: en
  • Pages: 346

This City Belongs to You

Introduction : "Do not mess with us!"--The republic of students, 1942-1952 -- Showcase for democracy, 1953-1957 -- A manner of feeling, 1958-1962 -- Go forth and teach all, 1963-1977 -- Combatants for the common cause, 1976-1978 -- Student nationalism without a government, 1977-1980 -- Coda : "Ahí van los estudiantes!", 1980-present

A History of the North-Western Editorial Excursion to Arkansas
  • Language: en
  • Pages: 414

A History of the North-Western Editorial Excursion to Arkansas

Reprint of the original, first published in 1876.

The Student
  • Language: en
  • Pages: 506

The Student

  • Type: Book
  • -
  • Published: 1889
  • -
  • Publisher: Unknown

None

Training & Methods Series
  • Language: en
  • Pages: 846

Training & Methods Series

  • Type: Book
  • -
  • Published: 1970
  • -
  • Publisher: Unknown

None

Student
  • Language: en
  • Pages: 382

Student

  • Type: Book
  • -
  • Published: 1889
  • -
  • Publisher: Unknown

None

St. Hans' Evening Play Overture
  • Language: en
  • Pages: 130

St. Hans' Evening Play Overture

None

Short Orchestral Works
  • Language: en
  • Pages: 79

Short Orchestral Works

One of the most prolific women composers of her time, Alice Mary Smith (1839–84) produced the greatest number of publicly performed large-scale orchestral and choral works of any of her gender. This edition presents three of her short orchestral compositions for the first time in print. The Andante for Clarinet and Orchestra, an orchestral transcription of the slow movement of Smith’s Sonata for Clarinet and Piano of 1870, was greatly admired by the English clarinetist Henry Lazarus, who performed it multiple times. The two intermezzi, along with the overture, comprise the complete orchestral music from Smith’s grand choral cantata The Masque of Pandora, a setting of Henry Wadsworth Longfellow’s epic poem. Designed as independent instrumental movements, Smith fully orchestrated the intermezzi for a performance in 1879 by the New Philharmonic Society under William Ganz. In the introduction to the edition, Graham-Jones includes a brief biography of Smith and reproduces numerous reviews and program notes from the various performances of these three works.