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First Films of the Holocaust
Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda...
The Pianist
The bestselling memoir of a Jewish pianist who survived the war in Warsaw against all odds. 'We are drawn in to share his surprise and then disbelief at the horrifying progress of events, all conveyed with an understated intimacy and dailiness that render them painfully close... riveting' OBSERVER On September 23, 1939, Wladyslaw Szpilman played Chopin's Nocturne in C-sharp minor live on the radio as shells exploded outside - so loudly that he couldn't hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air. Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, THE PIANIST is a stunning testament to human endurance and the redemptive power of fellow feeling. 'The images drawn are unusually sharp and clear... but its moral tone is even more striking: Szpilman refuses to make a hero or a demon out of anyone' LITERARY REVIEW
Three Minutes in Poland
The author's discovery of a brief 16mm film shot by his grandfather during a 1938 visit to his soon-to-be-extinguished birthplace in Poland unfolds like a detective story. Now the basis for the documentary Three Minutes: A Lengthening. Named one of the best books of 2014 by NPR, The New Yorker, and The Boston Globe When Glenn Kurtz stumbles upon an old family film in his parents' closet in Florida, he has no inkling of its historical significance or of the impact it will have on his life. The film, shot long ago by his grandfather on a sightseeing trip to Europe, includes shaky footage of Paris and the Swiss Alps, with someone inevitably waving at the camera. Astonishingly, David Kurtz also ...
Concentrationary Cinema
Since its completion in 1955, Alain Resnais’s Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the ‘concentrationary universe’ which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrat...
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Atlantic Communications
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