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Edward Thomas and World Literary Studies
This book uses models of 'world literature' to present this 'quintessentially English' writer as a pioneering figure in an Anglophone Welsh literary tradition, a controversial reading that contributes to the present-day reconfiguration of cultural relations between Wales, England, Scotland
Meeting Without Knowing it
Meeting Without Knowing It compares Rudyard Kipling and W.B. Yeats in the formative phase of their careers, from their births in 1865 up to 1903. The argument consists of parallel readings wed to a biographic structure. Reading the two poets in parallel often yields remarkable discursive echoes. For example, both men were similarly preoccupied with the visual arts, with heroism, with folklore, balladry and the demotic voice. Both struck vatic postures, and made bids for public authority premised on an appeal to what they considered the "mythopoeic" impulse in fin de siecle culture. Meeting Without Knowing It dentifies these mutual echoes in their poetry and political rhetoric, before chartin...
W.B. Yeats
J.M. Cohen Wrote That Yeats Was The Greatest Figure In English Poetry Since The Death Of Tennyson , And Ezra Pound, Who Once Went To Yeats To Learn How To Write Poetry, Wrote About Him : I Dare Say ... That Up To Date No One Has Shown Any Disposition To Supersede Him As The Best Poet In England Or Any Likelihood Of Doing So For Some Time... Yeats Is A Very Complex And Difficult Poet, Because There Is In Him A Curious Intermixture Of Romanticism, Realism, Mythology, Supernaturalism, Magic, Ocultism, Automatic Writing, Nationalism, Private Philosophy , And Even Prejudices. His Poems Are Very Compact, Allowing No Elaborations, And Leaving Gaps For The Reader To Imaginatively Fill Them Up, And T...
The Irish Revival
The Irish Revival has inspired a richly diverse and illuminating body of scholarship that has enlarged our understanding of the movement and its influence. The general tenor of recent scholarly work has involved an emphasis on inclusion and addition, exploring previously neglected texts, authors, regional variations, and international connections. Such work, while often excellent, tends to see various revivalist figures and projects as part of a unified endeavor, such as political resistance or self-help. In contrast, The Irish Revival: A Complex Vision seeks to reimagine the field by interpreting the Revival through the concept of “complexity,” a theory recently developed in the informa...
Yeats, Revival, and the Temporalities of Irish Modernism
Yeats, Revivalism, and the Temporalities of Irish Modernism offers a new understanding of a writer whose revivalist commitments are often regarded in terms of nostalgic yearning and dreamy romanticism. It counters such conventions by arguing that Yeats's revivalism is an inextricable part of his modernism. Gregory Castle provides a new reading of Yeats that is informed by the latest research on the Irish Revival and guided by the phenomenological idea of worldmaking, a way of looking at literature as an aesthetic space with its own temporal and spatial norms, its own atmosphere generated by language, narrative, and literary form. The dialectical relation between the various worlds created in the work of art generate new ways of accounting for time beyond the limits of historical thinking. It is just this worldmaking power that links Yeats's revivalism to his modernism and constructs new grounds for recognizing his life and work.
From Castle Rackrent to Castle Dracula
Paul E H Davis and the Irish Land Question In his challenging new book, Paul E H Davis offers an entirely new critique of how novelists in nineteenth-century Ireland had to act -both as writers and historians - in their attempts to find a solution to what became the Irish Land Question. Callenging the widely-held nationalist view that Irish novelists of this period had little or nothing to offer, Davis slots these castaway novelists into a new, identifiable category: the agrarian novelists. The book is divided into three parts. Part One considers novelists writing between the Union and the Famine: Maria Edgeworth, Gerald Griffin, John and Michael Banim and William Carleton. Part Two looks at how the agrarian novel 'emigrates' with reference to the novels of Charles Kickham and to the Irish novels of Anthony Trollope. Part Three considers how some agrarian novelists - specifically Thomas Moore and Bram Stoker - felt the solution lay not in the real world but in the world of fantasy. An exceptional book on why the agrarian novelists deserve to be valued for their unique perception of Ireland in the nineteenth century.
