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Museums and Communities
With contributions from key scholars in a range of disciplines, this engaging new volume explores the complex issues surrounding collaboration between museums and their communities.
The Museum on the Roof of the World
For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that h...
Annie Horniman
A biography of Annie Horniman, who was a campaigner for the arts and founder of the British repertory movement. Friend of W.B.Yeats and secret backer of Shaw's "Arms and the Man", she subsequently bought the Abbey Theatre and the Gaiety Theatre where she worked with Sybil Thorndike.
Five Little Ducks Went Out One Day
A lift-the-flap book. Everybody knows and loves this traditional rhyme about the five intrepid ducks who head off into the hills for adventure. But what happens to them while they are away? And why have they gone? Just lift the flaps and find out in this new and endearing interpretation by the fresh and talented Roberta Angeletti!
Museums and Innovations
This volume presents sixteen thoughtful essays which address innovative ways to present cultural heritage primarily in ethnographic and social history museums through recent permanent, temporary, and mobile exhibitions. The essays included are taken from the different vantage points; they prompt critical debate about new ways of thinking and working in museums of different sizes, with regard for how we might work collaboratively towards a more equitable future. Essential political issues related to power and the strong influences of the museum are addressed in each section, especially with regards to the presentation of particular cultures and communities.
The Material Renaissance
Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The Material Renaissance addresses these issues of economic and social life.
Weapons, Culture and the Anthropology Museum
Largely due to the tastes of nineteenth century Western collectors and curators, weaponry abounds in ethnographic museums. However, the relative absence of Asian, African, Native American and Oceanic arms and armour from contemporary gallery displays neither reflects this fact, nor accords these important artefacts the attention they deserve. Weapons are often those objects in museums which most strongly record traumatic histories of colonial conquest around the world, showcase a society’s most complex technologies, and encode a wealth of historical information relating to violent conflict, cultural identities, and indigenous masculinities. This volume brings together an international coll...
Bali, the Imaginary Museum
This beautiful book contains a photographic record of the work of Walter Spies, a German artist, and Beryl de Zoete, a British writer and dance critic, co-authors of the classic Dance and Drama in Bali (1938). These photographs, many previously unpublished, are chosen from the Horniman Museum Library collection to vividly evoke rural life in Bali, with its dance-drama traditions, and challenge the more lurid aspects of Bali's image in the 1930s.
