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The Fox
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The Sea Hawk
This 1940 swashbuckler is one of the best examples of the old Hollywood studio system at work. Scholars and film buffs will learn much about collaborative filmmaking on an exceptionally large scale as Rudy Behlmer traces step-by-step the evolution of "The Sea Hawk." The very anti-thesis of an auteur film, "The Sea Hawk" illustrates the ways in which creative input from just about everyone on the Warner Brothers lot--producers, writers, art directors, director, cameraman, special effects team, editor and composer-conductor--resulted in a film in the familiar Warners house style. This book includes the complete screenplay.
Magic Time
“Is there anybody that Hawk Koch hasn’t worked with? Magic Time should be required reading for three types of people. One, those starting in show business, two, those that have been in show business for a long time, and three, everyone else. Like every movie Hawk has made, Magic Time is a fascinating journey of self-identity. I love this book.” —Mike Myers, Actor, Writer, and Director “Magic Time recounts what I remember about Hawk: someone who never took an opportunity for granted and worked hard to achieve success in his own right. Plus, he was a lot of the fun, and, as the book reflects, we had some memorable adventures.”—Robert Redford, Oscar-winning Actor & Director, Found...
Hollywood's War with Poland, 1939–1945
“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In ...
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Political Philosophy Comes to Rick's
Political Philosophy Comes to Rick's focuses on reading one of the world's most watched films, Casablanca, politically. Contributors contend that the popularity of the film lies in its ability to present American civic culture, the American character, if you will, in a thoughtful, dramatic, and enduring way.
Skiing Heritage Journal
Skiing Heritage is a quarterly Journal of original, entertaining, and informative feature articles on skiing history. Published by the International Skiing History Association, its contents support ISHA's mission "to preserve skiing history and to increase awareness of the sport's heritage."
Mediascripts
These media scripts are written specifically for Key Stage 3 and intended to resource the National Curriculum and Framework objectives for teaching English and Media. Accompanying activities provide links to the Framework for teaching English.
Crossroad of the Stars
CROSSROAD OF THE STARS is a journey within the entertainment world presenting more than 300 events from the years 1940 until 2005. Our travel begins when Clark Gable befriends Stan Sarniske at his Blue Front Café in 1940. Taking Clark’s advice, Stan began working in security at M.G.M. Studio in 1942. Stan details his years at M.G.M. from 1942 until 1983. He worked his way up the ladder to Inspector, Assistant Chief of Security, and Acting Chief of Security. Furthermore, after M.G.M. sold Lot 2, the new owners of Lot 2 made Stan their manager for years on a handshake. In 1971 Stan was asked by Allen Rivkin to help correct problems he had with the Writers Guild of America, West Film Society...
