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From 1905 to the crash of 1929, Sam Shubert (1874-1905) and his brothers Lee (1874-1953) and J. J. (1878-1963), despite poor beginnings and near-illiteracy, created a theater monopoly unrivaled in history. Their ruthless business tactics and showmanship made 42nd Street the heart of American popular theater and won them the most sought-after stars of the day, including Al Jolson, Carmen Miranda, Eddie Cantor, Fanny Brice, Mae West, and Fred Astaire.
This portrait traces the controversial life of the successful playwright, including her relationship with Dashiell Hammett and details her active role in ideological battles and her celebrated feuds with everyone from Tallulah Bankhead to Mary McCarthy.
Arthur Schwartz (1900-1984), a premier composer of American Popular Song during the mid-20th century, has been overlooked by historians. This first full-length biography covers his work on Broadway and in Hollywood, where he was known as the "master of the intimate revue" for his songs in the 1930s with Howard Dietz. Schwartz wrote music for films in the 1940s--with Academy Award nominations for They're Either Too Young or Too Old and A Gal in Calico--produced two popular movie musicals--Cover Girl and Night and Day--and was among the first songwriters to work in the new medium of television. The author describes his creative process and includes behind-the-scenes stories of each of his major musicals.
First published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows. The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and the individuals who compose it. It is the manner in which these authors try to accomplish this end that determines whether they appear in the volume. Indeed, the book will demonstrate that the best humor has at its base, a ready understanding of human nature.
Inventing a Voice is a comprehensive work on the lives and communication of twentieth-century first ladies. Using a rhetorical framework, the contributors look at the speaking, writing, media coverage and interaction, and visual rhetoric of American first ladies from Ida Saxton McKinley to Laura Bush. The women's rhetorical devices varied--some practiced a rhetoric without words, while others issued press releases, gave speeches, and met with various constituencies. All used interpersonal or social rhetoric to support their husbands' relationships with world leaders, party officials, boosters, and the public. Featuring an extensive introduction and chapter on the 'First Lady as a Site of 'American Womanhood, '' Wertheimer has gathered a collection that includes the post-White House musings of many first ladies, capturing their reflections on public expectations and perceived restrictions on their communication.
A wonderful reader for anyone who loves the great programs of old-time radio, this definitive encyclopedia covers American radio shows from their beginnings in the 1920s to the early 1960s.
“The definitive portrait of a woman conflicted, torn between ferocious ambition, family, and feminist causes” (Gail Sheehy, author of Passages). Jane Fonda emerged from a heartbreaking Hollywood family drama to become a ’60s onscreen ingénue and then an Oscar-winning actress. At the top of her game she risked it all, speaking out against the Vietnam War and shocking the world with a trip to Hanoi. One of Hollywood’s most committed feminists, she financed her husband Tom Hayden’s political career in the ’80s with a series of exercise videos that sparked a nationwide fitness craze. Even more surprising was Fonda’s next turn, as a Stepford Wife of the Gulfstream set, marrying Ted...
THE STORY: As described by Atkinson in the NY Times: A scornful feature editor of a newspaper picks an ambitious young reporter to conduct the advice of the lovelorn column. Ambitious, opportunistic, 'Miss Lonelyhearts,' as the conductor of the co
Delmer Daves (1904–1977) was an American screenwriter, director, and producer known for his dramas and Western adventures, most notably Broken Arrow and 3:10 to Yuma. Despite the popularity of his films, there has been little serious examination of Daves’s work. Filmmaker Bertrand Tavernier has called Daves the most forgotten of American directors, and to date no scholarly monograph has focused on his work. In The Films of Delmer Daves: Visions of Progress in Mid-Twentieth-Century America, author Douglas Horlock contends that the director’s work warrants sustained scholarly attention. Examining all of Daves’s films, as well as his screenplays, scripts that were not filmed, and person...