Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Hysterical Methodologies in the Arts
Hysteria is alive and well in our present time and is apparently spreading contagiously: especially the second decade of the twenty-first century has displayed an ever-increasing interest in the term. A quick Google search opens the gates to sheer endless swathes of discussions on hysteria, covering almost every aspect of public discourses. The arts—as it is often in such cases—seem conspicuously involved in and engaged with this hysterical discourse. Surprisingly, while the strong academic interest in hysteria throughout the twentieth century and most prominently at the turn of the century is well known and much discussed, the study of how these discourses have continued well into twenty-first-century art practices, is largely pressing on a blind spot. It is the aim of this volume to illustrate how hysteria was already well established within the arts alongside and at times even separately from the much-covered medical studies, and reveal how those current artistic practices very much continue a century spanning cross-fertilization between hysteria and the arts.
Constructing the Viennese Modern Body
This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, one informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically “hysterical” performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism.
Hysteria
None
Pekakota hub
None
The Hysteric
Examining historical, clinical and artistic material, in both written and visual form, this book traces the figure of the contemporary hysteric as she rebels against the impossible demands made upon her. Exploring five traits that commonly characterise the hysteric as an archetype - a specific body, mimetic abilities, a shroud of mystery, a propensity to disappear and a particular relationship to voice - the authors shed light on what it means to be hysterical, as a form of rebellion and resistance. This is important reading for scholars of sociology, gender studies, cultural studies and visual studies with interests in psychoanalysis, art and the characterisation of mental illness.
Menopause, Art and the Body
In MENOPAUSE, ART AND THE BODY Dr Rosie McLaren, artist, psychotherapist, writer and lecturer, explores the visual and textual experiences of menopause in the work and words of twelve artists. Story-teller and curator, she draws on their artwork, visual diaries, journals, creative writing and poetry to depict the lived experience of menopause, as they re-imagine the memories and experiences which informed their changing sense of self and the lived body. In this meaning-making collaboration, the ways in which contemporary cultural meanings of femininity, sexuality and identity have influenced their artistic modes of self-representation are explored. Throughout, McLaren draws out resonances: the real and the imagined, and the internal and external sites of personal and political significance.
Invention of Hysteria
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Sal...
Hysteria
Hysteria: The Art of Cudra CloverCUDRA CLOVER 1967 -Forward by BETTY ANN BROWN -- ART HISTORIAN, CRITIC AND CURATORVarious Works from 2003-2018 and Hysteria Solo Show Installation 2018Country of origin: United StatesMedium: Painted Silk, Multi-Media, InstallationsWorks of art shown currently: Hawaii State Museum of Art and Culture, Viewpoints Gallery Makawao, various private collectionsHysteria: Cudra Clover2018 Mind Flower ArtPublished by Mind Flower ArtNo parts of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the copyright owner.
Perilous Chastity
Bearing such titles as The Doctor's Visit or The Lovesick Maiden, certain seventeenth-century Dutch paintings are familiar to museum browsers: an attractive young woman—well dressed, but pale and listless—reclines in a chair, languishes in bed, or falls to the floor in a faint. Weathered crones or impish boys leer suggestively in the background. These paintings traditionally have been viewed as commentary on quack doctors or unmarried pregnant women. The first book to examine images of women and illness in the light of medical history, Perilous Chastity reveals a surprising new interpretation. In an engaging analysis enhanced by abundant illustrations-including eight pages of color plate...
