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Héloïse is Bald
She is seven months old. She is bald. She is wearing red nail varnish. She is in love. This strange, uneasy love story follows Héloïse as she attempts to seduce the silver-tongued Doctor Lawrence Calvagh. A man forty years her senior, who may love her too. But Lawrence is not all he appears, and while Héloïse begins injuring herself so that he will stitch her back together, every other woman in her family also seems to be under his spell. Reaching from the elegant salons of Paris to the golden sands of Corsica, the mountains of Algeria to the art galleries of New York, this subversive novel examines love at its most shocking and violent. And in Héloïse, as baby, nymphet, teenage mother, celebrated photographer, and wife, we have a truly provocative heroine.
Philology and Performing Arts
This volume invites to bridge the traditional gap between the author and the scribes, which means between the "original text" and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director...
The Amorous Restoration
When Louis XVIII returned to the throne in 1814, and again in 1815, France embarked upon a period of uneasy cohabitation between the old and the new. The writers of the age, who included Chateaubriand, Stendhal, Balzac, and Mme de Duras, agreed that they lived at a historical turning point, a transitional moment whose outcome, though still uncertain, would transform the French way of life--beginning with the French way of love. The literary works of the Bourbon Restoration ceaselessly return to the themes of love, sex, and marriage, partly as vital cultural questions in their own right, but also as a means of critiquing the deficiencies of past regimes, negotiating the politics of the presen...
French Orientalism
In 1798, Napoléon I launched his Egyptian Campaign and opened what has become recognized as the canonic period of French Orientalism, which extends from the late eighteenth through the early twentieth century. As defined by Edward W. Said (Orientalism, 1978), Orientalism is intrinsically Eurocentric and places the Orient in opposition to the European West as the quintessentially foreign Other. In this sense, the Occident supposedly defines itself by gazing at the East as its inverse image and purportedly asserts a geopolitical dominance materially confirmed through imperialism and colonization. Although Europe may cast the Orient as the archetypal Other, this necessarily entails deep confli...
The Scene of the Mass Crime
The Scene of the Mass Crime takes up the unwritten history of the peculiar yet highly visible form of war crimes trials. These trials are the first and continuing site of the interface of law, history and film. From Nuremberg to the contemporary trials in Cambodia, film, in particular, has been crucial both as evidence of atrocity and as the means of publicizing the proceedings. But what does film bring to justice? Can law successfully address war crimes, atrocities, genocide? What do the trials actually show? What form of justice is done, and how does it relate to ordinary courts and proceedings? What lessons can be drawn from this history for the very topical political issue of filming civ...
Outcast Europe
An original perspective on the experience of refugees and relief workers.
Nazi Occultism
Nazi Occultism provides a serious scholarly study of a topic that is often marred by sensationalism and misinformation. The Morning of the Magicians by Pauwels and Bergier (1960) gave rise to the idea that a secret society with wide powers, the "Thule society", was the hidden and ignored centre of Nazism. The influence of this very real small group is, however, only a fantasy, a myth. The author, a historian specializing in neo-Nazism, looks back on this speculative construction, its origins, its ideological tinkering and the practices which have succeeded in forming a sort of radical and sulphurous counterculture which has created a fascination with esotericism and Nazism and the SS. To better understand it, he also paints a portrait of some of the authors who contributed to this extremist subculture, such as the Italian esotericist Julius Evola, the Argentine anthropologist Jacques-Marie de Mahieu, Chilean neo-Nazi Miguel Serrano, and the writer Jean-Paul Bourre. This book will appeal to scholars, researchers and activists as well as general readers with an interest in the history of Nazism and the occult.
