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Empires of Faith in Late Antiquity
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
Medieval Art, Modern Politics
Medieval Art, Modern Politics is an innovative volume of twelve essays by international scholars, prefaced by a comprehensive introduction. It examines the political uses and misuses of medieval images, objects, and the built environment from the 16th to the 20th century. In case studies ranging from Russia to the US and from catacombs, mosques, cathedrals, and feudal castles to museums and textbooks, it demonstrates how the artistic and built legacy has been appropriated in post-medieval times to legitimize varied political agendas, whether royalist, imperial, fascist, or colonial. Entities as diverse as the Roman papacy, the Catholic Church, local arts organizations, private owners of medieval fortresses, or organizers of exhibitions and publishers are examined for the multiple ways they co-opt medieval works of art. Medieval Art, Modern Politics enlarges the history of revivalism and of medievalism by giving it a uniquely political twist, demonstrating the unavoidable (but often ignored) intersection of art history, knowledge, and power.
How Divine Images Became Art
How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century R...
Monuments and Identities in the Caucasus
This is the first multidisciplinary volume whose focus is on the barely accessible highlands between Armenia and Azerbaijan, and their invaluable artistic heritage. Numerous ancient and mediaeval monuments of Artsakh/Karabagh and Nakhichevan find themselves in the crucible of a strife involving mutually exclusive national accounts. They are gravely endangered today by the politics of cultural destruction endorsed by the modern State of Azerbaijan. This volume contains seventeen contributions by renowned scholars from eight nations, rare photographic documentation and a detailed inventory of all the monuments discussed. Part 1 explores the historical geography of these lands and their architecture. Part 2 analyses the development of Azerbaijani nationalism against the background of the centuries-long geopolitical contest between Russia and Turkey. Part 3 documents the loss of monuments and examines their destruction in the light of international law governing the protection of cultural heritage.
The Early Reception and Appropriation of the Apostle Peter (60-800 CE)
The apostle Peter gradually became one of the most famous figures of the ancient world. His almost undisputed reputation made the disciple an exquisite anchor by which new practices within and outside the Church could be established, including innovations in fields as diverse as architecture, art, cult, epigraphy, liturgy, poetry and politics. This interdisciplinary volume inquires the way in which the figure of Peter functioned as an anchor for various people from different periods and geographical areas. The concept of Anchoring Innovation is used to investigate the history of the reception of the apostle Peter from the first century up to Charlemagne, revealing as much about Peter as about the context in which this reception took place.
Preaching in the Patristic Era
Preaching in the Patristic Era. Sermons, Preachers, Audiences in the Latin West offers a state of the art of the study of the sermons of Latin Patristic authors. Parts I and II of the volume cover general topics, from the transmission of early Christian Latin sermons to iconography, from rhetoric to reflections on the impact of Latin preaching. Part III offers fourteen chapters devoted to Latin preachers such as Augustine, Gregory the Great, Maximus of Turin, and to collections of sermons, such as Arian sermons, preaching in 4th-century Spain, or sermons translated from Greek. By outlining the relevant sources, methodologies, and issues, this volume provides a comprehensive introduction to the field of Latin patristic preaching. Contributors are Pauline Allen, Lisa Bailey, Andrea Bizzozzero, Shari Boodts, Andrew Cain, Nicolas De Maeyer, François Dolbeau, Jutta Dresken-Weiland, Geoffrey Dunn, Anthony Dupont, Camille Gerzaguet, Bruno Judic, Rémi Gounelle, Johan Leemans, Wendy Mayer, Robert McEachnie, Bronwen Neil, Gert Partoens, Adam Ployd, Eric Rebillard, Maureen Tilley, Sever Voicu, Clemens Weidmann and Liuwe Westra.
The Oxford Handbook of Early Christian Archaeology
"This handbook brings together work by leading scholars of the archaeology of early Christianity in the Mediterranean and surrounding regions. The 34 essays to this volume ground the history, culture, and society of the first seven centuries of Christianity in the latest currents of archaeological method, theory, and research."--
The Seven Spiritual Weapons
St. Catherine of Bologna, much venerated in her own city, has been little known outside of her native region but interest in her is now increasing. The outline of her life is clear and her own work, The Seven Spiritual Weapons, tells a good deal about her inner experiences and early years in the cloister. The introduction to this translation situates her life in the history of Ferrara and Bologna and studies how the external history of the community impinged on Catherine's own religious experience and how it was interwoven with her successful struggle against depression.
Byzantium in the Popular Imagination
What is the contemporary cultural legacy of Byzantium or The Eastern Roman Empire? This book explores the varied reception history of the Byzantine Empire across a range of cultural production. Split into four sections: the origins of 'Byzantomania' in France, modern media, literature, and politics, it provides case studies which show the numerous ways in which the empire's legacy can be felt today. Covering television, video games and contemporary political discourse, contributors also consider a wide range of national and geographical perspectives including Russian, Turkish, Polish, Greek and Hungarian. It will be essential reading for scholars and students of the reception and cultural history of the Byzantine Empire.
Lived Spaces in Late Antiquity
This volume considers “lived space” as a scholarly approach to the past, showing how spatial approaches can present innovative views of the world of Late Antiquity, integrating social, economic and cultural developments and putting centre stage this fundamental dimension of social life. Bringing together an international group of scholars working on areas as diverse as Britain, the Iberian Peninsula, Jordan and the Horn of Africa, this book includes burgeoning fields of study such as lived spaces in the context of ships and seafaring during this period. Chapters investigate the history, function and use of different spaces in their own right and identify the social and historical logic p...
