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Somersaults
James is a successful entrepreneur living the metropolitan life with a beautiful wife and a swanky London flat. But when the creditors move in and his wife moves out, James suddenly finds he’s left with nothing. Nothing but words. James’ father is dying – his last connection to his childhood and the language of his birth, Scots Gaelic. With this link gone, James fears he will simply cease to exist. As the words start to slip away, he journeys home to confront his past and search for his true identity – as he desperately struggles to remember the language of his birth and the word for ‘somersault’. A stunning new play exploring the role of language and how it defines who we are by the UK’s leading Scots Gaelic playwright Iain Finlay Macleod.
Introduction to Gaelic Fiction
The first book to provide a thorough introduction to Gaelic fiction. It traces the evolution of the form over the last century and focuses on the major developments that have led to the recent flourishing in Gaelic fiction publishing.
An Taistealach (The Voyager)
Is e an Taistealach an tè mu dheireadh às an t-saoghal aice, a' siubhal tro thìm is farsaingeachd a' lorg dachaigh ùr air planaid fhreagarrach. Tha e fa-near dhi clann a bhreith agus an cinneadh aice a thoirt air adhart, ach chan eil i na h-aonar. Tha creutairean eile an seo, dà threubh dhiubh, agus cunnart air gach taobh dhith. The Lasag Gaelic readers series offers young adults a range of engaging, easy-to-read fiction, with English chapter summaries and glossaries to assist Gaelic learners.
Edinburgh History of Scottish Literature: Modern Transformations: New Identities (from 1918)
In almost a century since the First World War ended, Scotland has been transformed in many rich ways. Its literature has been an essential part of that transformation. The third volume of the History, explores the vibrancy of modern Scottish literature in all its forms and languages. Giving full credit to writing in Gaelic and by the Scottish diaspora, it brings together the best contemporary critical insights from three continents. It provides an accessible and refreshing picture of both the varieties of Scottish literatures and the kaleidoscopic versions of Scotland that mark literary developments since 1918.
Performing Scottishness
This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the ‘United Kingdom’ means to Scots and English. It contrasts the treatment of Shakespeare and Burns as ‘national bards’ and considers the implications of Scottish scholars’ invention of ‘English Literature’. It engages with Scotland’s language politics –rebutting claims of a ‘Gaelic Gestapo’ – and how borders within Scotland interact. It replaces myths about ‘tartan monsters’ with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media.
A Companion to Scottish Literature
A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world’s leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts. Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses t...
Scottish Theatre: Diversity, Language, Continuity
Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama...
History as Theatrical Metaphor
This revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood. Setting these writers’ achievements in the context of their Scottish and European predecessors, Ian Br...
The Celtic Connection
As the Editor points out, the Celtic identity is not one of race - the genetic links, if they are there at all, just cannot be proved - but it is of a common linguistic and cultural heritage. The Celtic Connection focuses on the similarities and differences in language across the Celtic nations and contributes to the resurgence of interest in the Celtic identity which is increasingly being supported by official bodies, both national and international.
The Edinburgh History of Scottish Literature: Modern transformations: new identities (from 1918)
In almost a century since the First World War ended, Scotland has been transformed in many rich ways. Its literature has been an essential part of that transformation. The third volume of the History, explores the vibrancy of modern Scottish literature in all its forms and languages. Giving full credit to writing in Gaelic and by the Scottish diaspora, it brings together the best contemporary critical insights from three continents. It provides an accessible and refreshing picture of both the varieties of Scottish literatures and the kaleidoscopic versions of Scotland that mark literary developments since 1918.
