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The Secret Agent (1907) is a compelling tale of espionage and terrorism set in Edwardian London. Ironically subtitled 'A Simple Tale', it paints a terrifying portrait of revolutionaries and anarchists whose personal lives are as barren and futile as their public acts of violence. It concludes with the unwitting accomplice of a would-be terrorist blowing himself to bits with his own bomb, the terrorist's subsequent murder by his own wife, and the wife's own suicide. This new edition is based on a painstaking comparison of the original manuscript of the work with its first, truncated appearance in the American magazine Ridgeway's: A Militant Weekly for God and Country, and with all subsequent book-form publications overseen by Conrad himself. The result is a new text, purged of the printers' errors and editorial interventions that have been reproduced in all previous printings. There is also a critical introduction, an essay on the text, a textual apparatus, and helpful explanatory notes.
This comprehensive history (first published in 1987) covers the whole period in which books have been printed in Britain. Though Gutenberg had the edge over Caxton, England quickly established itself in the forefront of the international book trade. The slow process of copying manuscripts gave way to an increasingly sophisticated trade in the printed word which brought original literature, translations, broadsheets and chapbooks and even the Bible within the purview of an increasingly broad slice of society. Powerful political forces continued to control the book trade for centuries before the principle of freedom of opinion was established. In the nineteenth and early twentieth centuries the competition from pirated USA editions - where there were no copyright laws - provided a powerful threat to the trade. This period also saw the rise of remaindering, cheap literature, and many other 'modern' features of the trade. The author surveys all these developments, bringing his history up to the present age.
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
The Handbook to Literary Research is a practical guide for students embarking on postgraduate work in Literary Studies. It introduces and explains research techniques, methodologies and approaches to information resources, paying careful attention to the differences between countries and institutions, and providing a range of key examples. This fully updated second edition is divided into five sections which cover: tools of the trade – a brand new chapter outlining how to make the most of literary resources textual scholarship and book history – explains key concepts and variations in editing, publishing and bibliography issues and approaches in literary research – presents a critical overview of theoretical approaches essential to literary studies the dissertation – demonstrates how to approach, plan and write this important research exercise glossary – provides comprehensive explanations of key terms, and a checklist of resources. Packed with useful tips and exercises and written by scholars with extensive experience as teachers and researchers in the field, this volume is the ideal Handbook for those beginning postgraduate research in literature.
Logos – the international journal of the publishing community – celebrates its 25th anniversary in 2015. Since its first publication it has gained a reputation for publishing insightful and clear-headed articles about publishing, and this tradition continues to the present day, with the addition in recent years of academic articles reflecting the growth in the discipline of publishing studies. The present collection provides the opportunity to mark this milestone in the journal’s history by reprinting over thirty articles in book form. The selection has been made with a view to representing the full span of the life of the journal, with a good spread across the years of publication fro...
Despite the numerous studies of the politics, economy, culture, and society of the Estado Novo, the relations established between publishers, authors, and governmental institutions and their contribution to the making of the literary canon are still marginal subjects of analysis. Based on the systems theories developed by Bourdieu, Dubois and Even-Zohar, this study focuses on the cultural production produced during the Estado Novo (1933-1974) and after the Revolution (1974-2004), within their political, economic and social framework. The chapters on José Saramago and José Luís Peixoto show them as examples of literary consecration that confirm the systemic relations in the Portuguese literary field. This research makes use of a survey on habits of purchase of Portuguese fiction, interviews with publishers, original statistical analyses, and takes a new approach to the study of Portuguese literature.
This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontës, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.
The crowds keep coming to England's capital as much to discover the hippest galleries, shops, and raging after-hours scene as to enjoy great art, palace-hopping, and royal ceremonies. Capturing it all, the new London 2014 Gold Guide ebook edition has comprehensive coverage of sights, dining, lodging, and attractions. EXPANDED COVERAGE: With its state-of-the-art hotels, glittering new restaurants, and multi-million-pound makeovers of museums, swinging-again London now outranks its neighbors as Europe's most future-forward spot. This new edition covers the latest hot spots and insider favorites, including a roundup of museums and a tour of the East End. INDISPENSABLE TRIP PLANNING TOOLS: Conve...
Olivia Manning: A Woman at War is the first literary biography of the twentieth-century novelist Olivia Manning. It tells the story of a writer whose life and work were shaped by her own fierce ambition, and, like many of her generation, the events and aftermath of the Second World War. From the time she left Portsmouth for London in the mid-1930s determined to become a famous writer, through her wartime years in the Balkans and the Middle East, and until her death in London in 1980, Olivia Manning was a dedicated and hard-working author. Married to a British Council lecturer stationed in Bucharest, Olivia Manning arrived in Romania on the 3rd September 1939, the fateful day when Allied forc...
This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.