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The World in Flux
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No Other Way
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Ashé-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance
Ashé-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance contributes to understanding the important role that African-influenced spiritualcultures play in literature that challenges the concept that European aesthetics are superior to African-inspired cultures. Thomas W. Edison highlights the novels of four courageous Caribbean writers who have used their novels to integrate aspects of African ontology with literary techniques, themes, and history. The common element in these works is the inclusion of African-inspired faith traditions and culture. As a result of this perspective, their literature stands out as keen examples of Ashé-Caribbean resistance literature. While each writer presents their unique literary style in the works, collectively they draw on a foundation of the Afro-Caribbean. The Circum-Caribbean region will be the geographical unit because of its collective history of slavery, colonial rule, and parallel patterns of religious syncretism. This book makes an important literary connection among Caribbean Hispanophone nations.
Place, Language, and Identity in Afro-Costa Rican Literature
"With the current growth of interest in Afro-Hispanic and Afro-Latin American cultural and literary studies, this book will be essential for courses in Latin American and Caribbean literature, comparative studies, diaspora studies, history, cultural studies, and the literature of migration."--BOOK JACKET.
Not Quite Straight
Australian artist Jeffrey Smart's wicked and utterly engaging memoir. Born in respectable (read: dull) Adelaide in 1921, Jeffrey Smart made his first Grand Tour of Europe at age 4. By 5 he had discovered Sex (with a female classmate) and Crime. By 18 he’d decided he was the only person in Australia who was ‘not quite straight’. The subsequent decades brought further enlightenment, more travel, study with Fernand Leger, artistic development, adventures high and low, international acclaim, friends famous and infamous and - fittingly for someone who refers to himself as ‘a European who carries an Australian passport’ - a permanent return to the ancient, sun-soaked landscape of Tuscany. This is Jeffrey Smart's account of that very full life. He writes with a wicked wit of his family, friends and lovers, and of his jobs, including being the much-loved Phidias in ABC Radio’s ‘The Argonauts’ and the more lowly position of sink-scrubber on a slow boat to London, before finding fame as an artist. Throughout he is candid, funny and engaging. Like Smart’s paintings, Not Quite Straight offers a singular perspective shaped by a unique life.
Post-Colonial Literatures
The book explores what characterises a a good lifea and how this idea has been affected by globalisation and neoliberalism."
Black in Print
Black in Print examines the role of narrative, from traditional writing to new media, in conversations about race and belonging in the isthmus. It argues that the production, circulation, and consumption of stories has led to a trans-isthmian imaginary that splits the region along racial and geographic lines into a white-mestizo Pacific coast, an Indigenous core, and a Black Caribbean. Across five chapters, Jennifer Carolina Gómez Menjívar identifies a series of key moments in the history of the development of this imaginary: Independence, Intervention, Cold-War, Post-Revolutionary, and Digital Age. Gómez Menjívar's analysis ranges from literary beacons such as Rubén Darío and Miguel Ángel Asturias to less studied intellectuals such as Wingston González and Carl Rigby. The result is a fresh approach to race, the region, and its literature. Black in Print understands Central American Blackness as a set of shifting coordinates plotted on the axes of language, geography, and time as it moves through print media.
