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Practice and Theory in the Italian Renaissance Workshop
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
Exhibiting Italian Art in the United States from Futurism to Arte Povera
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more ...
The Origins of Florentine Painting, 1100-1270
Attempts to provide a comprehensive study of the paintings produced in Florence between circa 1100 and 1270 - the scope of the book ranges from early examples of medieval art to the generation of painters preceding Cimabue. All known works of the period are included accompanied by descriptions.
The Felt Hat
From the beginning of the Sixties until his death, Joseph Beuys (Krefeld, Germany, 1921 - Dusseldorf, 1986) dominated the contemporary avant-garde art scene. After participating in the Fluxus group's first exhibitions, he channeled his efforts into performance and political, social, and ecological projects. He founded cultural movements such as the Union for the New Democracy and the Free International University. Many of his conceptual propositions are memorable through their slogans: "All Men are Artists", "Kunst = Kapital", "We are the Revolution", "Defense of Nature". A participant in the most prestigious international exhibitions, from Kassel's "Documenta" to the Venice Biennial, Beuys also has important retrospective in 1979 at the Guggenheim Museum in New York. The artist's works are exhibited in the world's major museums. The anti-traditionalist ideas of Beuysian art aim to renew and improve the manner in which man lives. The German master's prophetic beliefs establish him as an emblematic figure as one of the forerunners in the post-war art world.
The History of the Venice Biennale
Over a hundred years of the story behind the Biennale of Venice, the oldest and most prestigious artistic and cultural institution in the world, from the first edition in 1895 to the 52nd one in 2007.
Il Camino
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Manzoni
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