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Architectures of Care
Drawing from a diverse range of interdisciplinary voices, this book explores how spaces of care shape our affective, material, and social forms, from the most intimate scale of the body to our planetary commons. Typical definitions of care center around the maintenance of a livable life, encompassing everything from shelter and welfare to health and safety. Architecture plays a fundamental role in these definitions, inscribed in institutional archetypes such as the home, the hospital, the school, and the nursery. However, these spaces often structure modes of care that prescribe gender roles, bodily norms, and labor practices. How can architecture instead engage with an expanded definition o...
Displacements
This book is about the aesthetics and politics of contemporary artists’ moving image installations, and the ways that they use temporal and spatial relationships in the gallery to connect with geopolitical issues. Displaced from the cinema, moving images increasingly address themes of movement and change in the world today. Digital technology has facilitated an explosion of work of this kind, and the expansion of contemporary art museums, biennales and large-scale exhibitions all over the world has created venues and audiences for it. Despite its 20th century precursors, this is a new and distinct artistic form, with an emerging body of thematic concerns and aesthetics strategies. Through detailed analysis of a range of important 21st century works, the book explores how this spatio-temporal form has been used to address major issues of our time, including post-colonialism, migration and conflict. Paying close attention to the ways in which moving images interact with the specific spaces and sites of exhibition, the book explores the mobile viewer’s experiences in these immersive and transitory works.
Pedagogical Experiments in Architecture for a Changing Climate
This book presents a series of pedagogical experiments translating climate science, environmental humanities, material research, ecological practices into the architectural curriculum. Balancing the science and humanities, it exposes recent pedagogical experiments from renown educators, while also interrogating a designer’s agency between science and speculation in the face of climate uncertainty. The teaching experiments are presented across four sections: Abstraction, Organization, Building, and Narrative, exposing core parts of an architect’s education and how educators can simultaneously provide fundamental skills and constructive literacy while instigating environmental sensibilitie...
Manual for a Future Desert
The desert and desertification are concepts with unstable, unfixed definitions that haunt current politics and aesthetics. Manual for a future desert proposes a full-spectrum scanning of the desert and its multiple implications across cultural, technological, political, and ecological concerns. Emerging from an artistic research program conducted in the Chihuahuan Desert on western Texas, this book is a time-space capsule; it collects routes, tools, and understandings on the desert in order to address and act upon issues that shape present and future realities. It is a manual for tapping into the exigency of the desert; it determines the coordinates for finding a future desert without deserting the future --
Night
This book follows and expands on the boundaries of its precursor Night: A Philosophy of the After-Dark by presenting a series of new conceptual territories, figures, sources, images and imaginative possibilities. The central idea of Night is contemplated in its intricate relation to space, silence, cruelty and secrecy while also taking thought toward the futural limits of a vision of the last world.
Les Cahiers du son
Au regard de la programmation historique d’œuvres d’art sonore, notamment dans le cadre de sa galerie La Box, l’École nationale supérieure d’art de Bourges a, depuis plus de trente ans, régulièrement considéré la musique, le son, le bruit, le silence ou la voix comme des objets de recherche artistique, visuelle ou plasticienne. Aussi, forte de ses multiples ateliers et collaborations entre professeur.e.s, et de ses nombreux projets d’étudiant.e.s, l’École nationale supérieure d’art de Bourges a proposé, du 27 au 29 avril 2022, Les Journées du son, un événement qui a présenté l’état des lieux des différentes pratiques sonores conduites, notamment, dans le cad...
The End of Man
Debugging the Anthropocene’s insistence on apocalyptic tropes Where the Anthropocene has become linked to an apocalyptic narrative, and where this narrative carries a widespread escapist belief that salvation will come from a supernatural elsewhere, Joanna Zylinska has a different take. The End of Man rethinks the prophecy of the end of humans, interrogating the rise in populism around the world and offering an ethical vision of a “feminist counterapocalypse,” which challenges many of the masculinist and technicist solutions to our planetary crises. The book is accompanied by a short photo-film, Exit Man, which ultimately asks: If unbridled progress is no longer an option, what kinds of coexistences and collaborations do we create in its aftermath? Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
On Weaving
This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.
Marfa Sounding
This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds--composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists?who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them.
Art in the Anthropocene
Taking as its premise that the proposed epoch of the Anthropocene is necessarily an aesthetic event, this collection explores the relationship between contemporary art and knowledge production in an era of ecological crisis. Art in the Anthropocene brings together a multitude of disciplinary conversations, drawing together artists, curators, scientists, theorists and activists to address the geological reformation of the human species. With contributions by Amy Balkin, Ursula Biemann, Amanda Boetzkes, Lindsay Bremner, Joshua Clover & Juliana Spahr, Heather Davis, Sara Dean, Elizabeth Ellsworth & Jamie Kruse (smudge studio), Irmgard Emmelhainz, Anselm Franke, Peter Galison, Fabien Giraud, & I...
