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The Idiot: New Translation
Saintly Prince Myshkin returns to Russia from a Swiss sanitorium and finds himself a stranger in a society obsessed with wealth, power and sexual conquest. He soon becomes entangled in a love triangle with a notorius kept woman, Nastasya, and a beautiful young girl, Aglaya.
Dostoevsky's Polyphonic Talent
This book illuminates the connectedness of Dostoevsky's literary art with his philosophical and psychological brilliance. Two Fyodor Dostoevsky conferences originating at the University of North Texas set the stage for this volume. Scholars contributed original papers focusing on how Dostoevsky's literary art and philosophical insights enrich one another. Fyodor Dostoevsky wrote and thought polyphonically. His polyphonic method is both his special literary technique and his distinctive way of probing theological, social, and philosophical depths. As Bakhtin and Terras suggest, all Dostoevsky's major literary inventions--from the underground man to the vitriolic Grushenka--are products of his...
The Karamazov Brothers
Dostoevsky's last novel, The Karamazov Brothers is a brilliantly told crime story and a passionate philosophical debate. Full of memorable characters and their eloquent voices, and reverberating with deeply felt ideas, the power and impetus of the novel is fully realized in this new translation.
The Karamazov Brothers
Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons--the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha--are all involved at some level. Brilliantly bound up with this psychological drama is Dostoevsky's intense and disturbing exploration of many deeply felt ideas about the existence of God, freedom of will, the collective nature of guilt, and the disastrous consequences of rationalism. Filled with eloquent voices, this new translation fully realizes the power and dramatic virtuosity of Dostoevsky's most brilliant work. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Gothic-Fantastic in Nineteenth-Century Russian Literature
From the contents: From Pantheon to Pandemonium (Richard Peace). - Karamzin's Gothic tale: The Island of Bornholm (Derek Offord). - Alessandra TOSI: At the origins of the Russian Gothic novel: Nikolai Gnedich's Don Corrado de Gerrera (1803) (Alessandra Tosi). - Does Russian Gothic verse exist? The Case of Vasilii Zhukovskii (Michael Pursglove). - The fantastic in Russian Romantic prose: Pushkin's The Queen of Spades (Claire Whitehead).
The Village of Stepanchikovo
Summoned to the country estate of his wealthy uncle Colonel Yegor Rostanev, the young student Sergey Aleksandrovich finds himself thrown into a startling bedlam. For as he soon sees, his meek and kind-hearted uncle is wholly dominated by a pretentious and despotic pseudo-intellectual named Opiskin, a charlatan who has ingratiated himself with Yegor’s mother and now holds the entire household under his thumb. Watching the absurd theatrics of this domestic tyrant over forty-eight explosive hours, Sergey grows increasingly furious - until at last, he feels compelled to act. A compelling comic exploration of petty tyranny, The Village of Stepanchikovo reveals a delight in life’s wild absurdities that rivals even Gogol’s. It also offers a fascinating insight into the genesis of the characters and situations of many of Dostoyevsky’s great later novels, including The Idiot, Devils and The Brothers Karamazov.
I Was Jack Mortimer
“A terrific fast-moving book. . . a truly clever, rather wonderful book that both plays with and defies genre” – Irish Times A taxi-driver in 1930s Vienna impersonates a murder victim, and is caught into a dangerous spiral Twice adapted for film, I Was Jack Mortimer is a tale of misappropriated identity as darkly captivating and twisting as the books of Patricia Highsmith. “One doesn’t step into anyone’s life, not even a dead man’s, without having to live it to the end.” A man climbs into Ferdinand Sponer's cab, gives the name of a hotel, and before he reaches it has been murdered: shot through the throat. And though Sponer has so far committed no crime, he is drawn into the late Jack Mortimer's life, and might not be able to escape its tangles and intrigues before it is too late... Part of the Pushkin Press Classics series: outstanding classic storytelling from around the world, in a stylishly original series design. From newly rediscovered gems to fresh translations of the world’s greatest authors, this series includes such authors as Stefan Zweig, Hermann Hesse, Ryūnosuke Akutagawa and Gaito Gazdanov.
Humiliated and Insulted
The reader is plunged into a world of moral degradation, childhood trauma and above all of unrequited love and irreconcilable relationships. At the centre of the story is a young struggling author, a traumatised orphaned teenager, and a depraved aristocrat.
The Idiot
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