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Russian Tragifarce
"The tradition of Russian tragifarce can be characterized by its strong links to Russian political and cultural history and by its significant role in the development of Russian dramatic literature and theater practice. The book argues that the dualistic character of Russian tragifarce, which is close in spirit and philosophy to Bakhtin's understanding of the medieval carnival, embodies the ambivalent spirit of Russian culture and politics. The book further argues that the tragifarcical perception of the world can be seen as a national characteristic of the self-doubting and ironic Russian sensibility under the influence of a repressive political regime."--BOOK JACKET.
Russian Drama of the Revolutionary Period
Contents: Russian Drama before the Revolution; Soviet Drama 1917-1921; The Civil War in Soviet Drama; Bulgakov's^R The White Guard and Flight; Satirical Comedy and Melodrama; The Plays of Nikolay Erdman; Mayakovsky's The Bedbug and The Bathhouse; Indirect Social Comment; Towards Socialist Realism
Vsevolod Meyerhold
This book traces the career of the Russian revolutionary theatre director, Vsevolod Meyerhold, from his early years as a founding member of the Moscow Art Theatre with Stanislavsky and Nemirovich-Danchenko, through his Symbolist period, his experiments with commedia dell'arte and other popular forms, to his demise in the Stalin era. Leach describes in detail Meyerhold's 'system' of theatre: his attitude to the audience, the place of the fore stage, 'biomechanics' and actor training, and the importance of the mise-en-scène. Finally, Leach explores Meyerhold's legacy, which can be detected in the work of Brecht, Eisenstein, Peter Brook and others.
The Performance of Power
Recently in the field of theatre studies there has been an increasing amount of debate and dissonance regarding the borders of its territory, its methodologies, subject matter, and scholarly perspectives. The nature of this debate could be termed "political" and, in fact, concerns "the performance of power"—the struggle over power relations embedded in texts, methodologies, and the academy itself. This striking new collection of nineteen divergent essays represents this performance of power and the way in which the recent convergence of new critical theories with historical studies has politicized the study of the theatre. Neither play text, performance, nor scholarship and teaching can sa...
Makers of Modern Theatre
Who were the giants of the twentieth-century stage, and exactly how did they influence modern theatre? Robert Leach's Makers of Modern Theatre is the first detailed introduction to the work of the key theatre-makers who shaped the drama of the last century: Konstantin Stanislavsky, Vsevolod Meyerhold, Bertolt Brecht and Antonin Artaud. Leach focuses on the major issues which relate to their dominance of theatre history: *What was significant in their life and times? *What is their main legacy? *What were their dramatic philosophies and practices? *How have their ideas been adapted since their deaths? *What are the current critical perspectives on their work? Never before has so much essential information on the making of twentieth-century theatre been compiled in one brilliantly concise, beautifully illustrated book. This is a genuinely insightful volume by one of the foremost theatre historians of our age.
Imagining America
In Imagining America, historian Alan M. Ball explores American influence in two newborn Russian states: the young Soviet Union and the modern Russian Republic. Ball deftly illustrates how in each era Russians have approached the United States with a conflicting mix of ideas—as a land to admire from afar, to shun at all costs, to emulate as quickly as possible, or to surpass on the way to a superior society. Drawing on a wide variety of sources including contemporary journals, newspapers, films, and popular songs, Ball traces the shifting Russian perceptions of American cultural, social, and political life. As he clearly demonstrates, throughout their history Russian imaginations featured a United States that political figures and intellectuals might embrace, exploit, or attack, but could not ignore.
Vsevolod Meyerhold
All books in the Routledge Performance Practitioners series are carefully designed to enable the reader to understand the work of a key practitioner. They provide the first step towards critical understanding and a springboard for further study for students on twentieth century, contemporary theatre and theatre history courses. This is the first book to combine a biographical introduction to Meyerhold's life a clear explanation of his theoretical writings an analysis of his masterpiece production 'Revisor, or The Government Inspector' a comprehensive and useable description of the 'biomechanical' exercises he developed for training the actor.
Early Soviet Cinema
This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.
Meyerhold On Theatre
A major reissue of a book which is used by students of Meyerhold across the world This was the first collection of Meyerhold's writings and utterances to appear in English and covers his entire career as a director from 1902 to 1939. These are supplemented by a critical commentary, relating Meyerhold to his period and containing descriptions, based on eye-witness accounts, of all his major productions.
