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Seseorang membutuhkan keberadaan orang lain untuk menopang eksistensinya di dunia. Setiap orang yang hadir dalam hidup memberikan kesan serta pelajaran bagi tiap insan dan memang demikian adanya. Memiliki seseorang yang benar-benar memberikan makna yang dalam dan abadi tentang cinta, ketulusan, kebersamaan serta pengorbanan, tentu ada proses yang tidak mudah. Ada hal tak sederhana di dalamnya. Terkadang pula makna ‘jarak’ membuat kita sadar betapa penting arti seseorang dalam hidup kita. Setiap mereka yang datang adalah pelajaran, setiap pelajaran adalah perbaikan, dan dari orang-orang terdekat kita bisa belajar bagaimana hidup harus berlanjut apa pun kondisinya. Melalui karya dalam buku antologi ini, kita semua dapat berbagi berbagai ekspresi serta bentuk perasaan dan ucapan terima kasih yang mungkin dapat menginspirasi banyak orang yang membacanya, agar kita lebih bisa menghargai keberadaan seseorang dalam hidup kita dan menghargai arti kebersamaan.
It's Not About the Burqa is an anthology of frank and insightful essays by Muslim women about the contemporary Muslim female experience. 'Passionate, angry, self-effacing, nuanced and utterly compelling in every single way' - Nikesh Shukla, editor of The Good Immigrant When was the last time you heard a Muslim woman speak for herself without a filter? In 2016, Mariam Khan read that David Cameron had linked the radicalization of Muslim men to the ‘traditional submissiveness’ of Muslim women. Mariam felt pretty sure she didn’t know a single Muslim woman who would describe herself that way. Why was she hearing about Muslim women from people who were neither Muslim, nor female? Years later...
From a well-known actress comes this fascinating anthology of Shakespeare's multifarious female characters
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Rich in language and visceral in impact, The Dead Wait follows the journey of Josh Gilmore, a young athlete turned soldier from darkness to light, from the Angolan War of 1980 to the present day and the creation of a new South Africa.
Seven contemporary stories grounded in prominent, mythical origins. Persephone, Hypsipyle, Medea, Alcestis, Phaedra, Creusa and Demeter: the women of Euripides' plays are reimagined as people of today in an unexpected fusion of celebrity, inappropriate desires, historical police investigations and missing children. A severed maternal bond threads each story together, charting a journey through rage and redemption, towards a compelling conclusion. This revised edition of Colin Teevan's haunting monologue cycle was published to coincide with a new production at Rose Theatre, Kingston, in November 2021.
Ranging from figurative representation to gestural abstraction, monumental landscape paintings to more intimate portraits, the oeuvre of American painter Leidy Churchman (born 1979) channels his artistic and literary influences, friendships, moods, surrounding landscapes and the visual iconography of divergent religions and philosophies. Crocodile highlights the artist's investigations into consciousness in his renderings of anthropomorphic animals and psychological states; his appropriation of existing artworks and aesthetics; and his recasting of various signs and symbols, from his depiction of the Buddhist symbol of the protector deity in Mahakala (2017) to the Mastercard logo in Mastercard (2013). Churchman, who divides his time between New York and Maine, emerges here as a dynamic protagonist of contemporary American painting. In addition to collecting 90 reproductions of works, the book features artwork made especially for it, plus texts by Ruba Katrib, Alex Kitnik and Arnisa Zeqo, in addition to a conversation between Churchman and Lauren Cornell.