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The First World War Galleries
Revisits World War I, drawing on the archives of the Imperial War Museum, including oral histories, photographs, works of art, personal correspondence and diaries, and artifacts from machine guns to military vehicles.
Poppies
The major art installation Blood Swept Lands and Seas of Red at the Tower of London marked one hundred years since the first full day of Britain's involvement in the First World War. Created by artists Paul Cummins and Tom Piper, 888,246 ceramic poppies progressively filled the Tower's famous moat between 17 July and 11 November 2014. Each poppy represented a British military fatality during the war. The poppies encircled the iconic landmark, creating a spectacular display visible from all around the Tower, which attracted more than 5 million visitors. The scale of the installation was intended to reflect the magnitude of such an important centenary and create a powerful visual commemoration. Featuring forewords by Paul Cummins and Tom Piper and stunning photography of the installation, The Poppies: Blood Red Lands and Seas of Red is the only official publication to mark this landmark event. As thousands of the poppies used in the installation tour the country during the remainder of the First World War Centenary, this publication will undoubtedly prove popular with visitors to both the Tower and the new venues alike.
Exhibiting War
A comparative study of how museum exhibitions in Britain, Canada and Australia were used to depict the First World War.
Holocaust
A reexamination of the narrative of genocide. Personal stories help audiences consider the cause, course, and consequences of this seminal period in world history. In Holocaust, historian James Bulgin presents a wealth of archival material--including emotive objects, newly commissioned photography, and previously unpublished personal testimony from those who were there--to examine the role of ideology and individual decision-making in the course of World War II and the Holocaust. The book is published to coincide with the opening of Imperial War Museums's groundbreaking new Second World War and Holocaust Galleries.
Forgotten Voices Of The Great War
In 1960, the Imperial War Museum began a momentous and important task. A team of academics, archivists and volunteers set about tracing WWI veterans and interviewing them at length in order to record the experiences of ordinary individuals in war. The IWM aural archive has become the most important archive of its kind in the world. Authors have occasionally been granted access to the vaults, but digesting the thousands of hours of footage is a monumental task. Now, forty years on, the Imperial War Museum has at last given author Max Arthur and his team of researchers unlimited access to the complete WWI tapes. These are the forgotten voices of an entire generation of survivors of the Great War. The resulting book is an important and compelling history of WWI in the words of those who experienced it.
Britain at War in Colour
Reproductions of one hundred rare, full-color images from the archives of the Imperial War Museums bring new life to World War II Britain Britain at War in Colour showcases one hundred of the best rare and original color images from the Imperial War Museums' unparalleled collection. Bringing together the most striking photographs from Ian Carter's bestselling War in the Air and The Second World War in Colour, alongside new and never-before-published images, this powerful visual collection shows us a new--or at least long-forgotten--World War II.
Wartime London in Paintings
During World War II, London was at its most perilous moment since the Great Fire of 1666. Districts were transformed at night by falling bombs, fires, and searchlights. During the day, when the results of the previous night's bombing were laid bare, ordinary people dealt with the aftermath as best they could. In 1939, the Ministry of Information set up the War Artists Advisory Committee (WAAC) to compile an artistic record of Britain during the war. After the war had ended, more than half of the paintings commissioned--some three thousand works--ended up in the Imperial War Museums collection. Wartime London in Paintings showcases seventy oil paintings from the IWM's unmatched collection in one stunning illustrated volume, portraying the ordinary and the extraordinary of London at the time. Featuring works by some of the most famous war artists of the conflict--including Graham Sutherland, Henry Moore, Edward Ardizzone, and more--this incredible visual exploration of a wartime city gives readers a firsthand look at how London coped during one of the most significant periods of its history.
Extraordinary Heroes
The Victoria and George Crosses are the highest military and civil decorations of the United Kingdom, awarded for gallantry. The Victoria Cross, introduced in 1856, is awarded to members of the armed forces of various Commonwealth countries for valour in the face of the enemy, while the George Cross was introduced during World War II so that civilians could also be awarded for acts of heroism, or conspicuous courage in circumstances of extreme danger. There have been 1,356 Victoria Crosses awarded, and there have been 404 recipients of the George Cross since 1940. The Imperial War Museum is opening the Lord Ashcroft Gallery in November 2010 to showcase not only their large collection of Victoria and George crosses, but also Lord Ashcroft's collection, which he has loaned to the Museum for 10 years. The gallery will therefore contain the largest collection of VCs and GCs in the world. The museum envisages around 150,000 visitors a year. This fully illustrated book contains the stories of over 80 recipients: a mixture of individuals - including men, women and children from different countries - who performed their acts of heroism across the last century and a half.
