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Improvisation in Drama, Theatre and Performance
  • Language: en
  • Pages: 320

Improvisation in Drama, Theatre and Performance

Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.

Improvisation for the Theater
  • Language: en
  • Pages: 490

Improvisation for the Theater

  • Type: Book
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  • Published: 1983
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  • Publisher: Unknown

Theory and foundation - Exercises - Children and the theatre - The formal theatre_

The Improv Book
  • Language: en
  • Pages: 202

The Improv Book

A smart, witty and accessible guide to the rewarding and joyful practice of improvisation. Classic improv games and variations Telling stories and creating characters Using improv to make theatre and comedy, from monologues to full-scale productions An asset to students and teachers of improvisation in schools, drama schools, higher education and theatre groups, both professional and amateur. It will also be of benefit to organisations and individual readers who want to discover how improv stimulates creativity and confidence in all areas of life. The Improv Book opens up this exciting discipline to a wider audience.

Improvisation
  • Language: en
  • Pages: 357

Improvisation

Improvisation is a highly creative and collaborative art form, encompassing the skills of storytelling, character creation and stage presence all in the moment. However, with an array of styles and techniques to choose from, it can be hard for new practitioners to negotiate the moving parts and find their own individuality. In this practical guide, Artistic Director and improv expert Jason Moran explores the basic pillars of improvisation and explains how to practically apply these in an improvised scene, game or situation. Each chapter showcases a different pillar and offers a practical checklist to make each scene interesting and robust. This helpful book unpacks and analyses real-life improvised examples from the stage, rehearsal room and classroom, illustrating to the reader what works well and what could work better, making it essential reading for actors, presenters and anyone who wants to increase their confidence in public performances.

A Treatise on Acting, from Memory and by Improvisation (1699)
  • Language: en
  • Pages: 260

A Treatise on Acting, from Memory and by Improvisation (1699)

This 1699 Italian acting treatise includes chapters on all kinds of staged productions, scripted or improvised, sacred or secular, tragic or comic. It also addresses enunciation, diction, memorization, gestures, and stage comportment, and it describes the details important to a successful commedia dell'arte performance.

Improvisation in Drama
  • Language: en
  • Pages: 232

Improvisation in Drama

  • Type: Book
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  • Published: 1990
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  • Publisher: Unknown

Improvisation is fundamental to all drama as the skill of using various resources to suggest an idea, a situation, a character, perhaps even a text, but it is also a technique for rehearsal of social statement and much more. Following an introduction to the multiple notions of improvisation, the authors examine four main areas of contemporary improvisation work, offer case studies of major practitioners and draw conclusions regarding the theoretical implications of the earlier discussions to move toward an understanding of the creation of 'meaning' in action. This book offers thoughtful reading for actors, students of drama, academics, scholars and general readers.

Improvisation for the Theater
  • Language: en
  • Pages: 434

Improvisation for the Theater

  • Type: Book
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  • Published: 1974
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  • Publisher: Unknown

None

Acting Improvised
  • Language: en
  • Pages: 136

Acting Improvised

  • Type: Book
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  • Published: 1937
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  • Publisher: Unknown

None

Creating Improvised Theatre
  • Language: en
  • Pages: 572

Creating Improvised Theatre

  • Type: Book
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  • Published: 2021-08-18
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  • Publisher: Routledge

Creating Improvised Theatre: Tools, Techniques, and Theories for Short Form and Narrative Improvisation is a complete guide to improvised theatre for performers and instructors. This book provides a modern view of improvised theatre based on the rapid evolution of this art form, shedding new light on classic theories as well as developing lesser known and emerging techniques, such as the Trance Mask. Instead of simply referencing classic theories, the book revisits them and places them in the context of contemporary improvisation techniques. Designed as a practical support, this guide contains over 130 exercises that allow its theories to come alive in workshops, rehearsals, and performance....

The Improv Handbook
  • Language: en
  • Pages: 643

The Improv Handbook

  • Type: Book
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  • Published: 2013-06-13
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  • Publisher: A&C Black

The most comprehensive, smart, helpful and inspiring guide to improve available today. Applicable to comedians, actors, public speakers and anyone who needs to think on their toes. From The Improv Handbook: The problem for improvisers is anxiety. faced with a lot of nameless eyes staring at us, and feeling more than anything else like prey, we are likely to want to display very consistent behavior, so that anyone who looks at us, looks away and then looks back sees the same thing. Thus we become boring, we fade into the background, and we cease to be of interest. The Improv Handbook provides everything someone interested in improvisational comedy needs to know, as written by a husband and wi...