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Jana Sanskriti
Regarded by Augusto Boal as the international icon of his vision, Jana Sanskriti are the leading practitioners of Theatre of the Oppressed and Forum Theatre in India and the East. The group has worked continuously with rural communities in West Bengal since its beginnings in 1985 to reconfigure social and political relationships through theatre, achieving both a solid regional presence and an international reputation. This book combines: a biography of the group, charting their history, methodology and modes of operation an examination of Jana Sanskriti through the writings of their founder, Sanjoy Ganguly a detailed analysis of their performance events and practices, including the plays collected in Ganguly's Where We Stand (2009) practical exercises and games, taken from Jana Sanskriti's workshops and festivals. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
New Theatre Quarterly 78: Volume 20, Part 2
Provides an international forum where theatrical scholarship and practice can meet.
Sacred Theatre
Plays examined include: Rosencrantz and Guildenstern are dead, M. Butterfly.
Time, Consciousness and Writing
Time, Consciousness and Writing collects some of Peter Malekin’s essential writings on consciousness, theatre and literature, and eleven critical reflections on this body of work and its implications for the humanities.
Presence and Pre-Express 2
First Published in 2004. Routledge is an imprint of Taylor and Francis, an informa company.
Jacques Lecoq and the British Theatre
Jacques Lecoq and the British Theatre brings together the first collection of essays in English to focus on Lecoq's school of mime and physical theatre. For four decades, at his school in Paris, Jacques Lecoq trained performers from all over the world and effected a quiet evolution in the theatre. The work of such highly successful Lecoq graduates as Theatre de Complicite (The Winter's Tale with the Royal Shakespeare Company and The Visit, The Street of Crocodiles and The Causcasian Chalk Circle with the Royal National Theatre) has brought Lecoq's work to the attention of mainstream critics and audiences in Britain. Yet Complicte is just the tip of the Iceberg. The contributors to this volume, most of them engaged in applying Lecoq's work, chart some of the diverse ways in which it has had an impact on our conceptions of mime, physical theatre, actor training, devising street theatre and interculturalism. This lively - even provocative - collection of essays focuses academic debate and raises awareness of the impact of Lecoq's work in Britain today.
Ralph Compton Counterfeit Lawman
A man inadvertently assumes the identity of a Federal marshal in this exhilarating new Ralph Compton Western. Augustus Yarrow is a top lawman, noted for going undercover to ferret out criminals: everyone from bank robbers to corrupt officials. He’s the best of the best…until he winds up dead. Isaac Scott is looking for something better than his life of riding the rails when the man he's sharing a car with is shot. There's money and mysterious papers on the man, who attempts to tell Ike something with his dying breath, right before Ike himself is arrested. When he's mysteriously freed, Ike realizes it’s because the papers declare that he’s Deputy Marshal Yarrow. Ike wants nothing to do with it. But when he stumbles across illegal shipments of enough arms and ammunition to start a war, Ike knows he’s the only person who can stop the catastrophe from occurring—even if it means becoming a counterfeit lawman.
Presence and Pre-Expressivity 2
This is Volume 7, Part I of the Contemporary Theatre Review, an International Journal, with this edition focusing on Prescence and pre-expressivity. Covering topics such as Body in Mind: Exploring Pre-Expressivity; Peter Brook and Traditional Thought; Grotowski, Holiness, and the Pre-Expressive; Barba's Concepts of the Pre-Expressive and the Third Organ of the Body of the Theatre and Theories of Consciousness; Pre-Expressivity: Some Thoughts from the Rehearsal Floor.
Improvisation in Drama, Theatre and Performance
Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.
