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The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain. In the 21st century the world faces epochal changes which affect every part of society, including the arenas in which cultural heritage is made, held, collected, curated, exhibited, or simply exists. The book is about these changes; about the decentring of culture and cultural heritage away from institutional structures towards the individual; about the questions which the advent of digital technologies is demanding that we ask and answer in relation to how we understand, collect and make available Europe’s cultural heritage. Cultural heritage has enormou...
Meet Aurora and Orion: Sister and Brother. Constellations in time. More than blood. More than just fam. They look after each other in their small London flat, filled with the memories of their parents' Black Love. When that love is threatened, they must confront their own worst fears as they find their way back to each other and to what it means to love whilst Black. Black Love by Chinonyerem Odimba, with music by Ben and Max Ringham, is an explosion of form-busting storytelling, combining real-life stories, imagined worlds, and new songs inspired by an R&B heritage. It was premiered in July 2021 in Paines Plough's the Roundabout as a co-production between Paines Plough and Belgrade Theatre in association with tiata fahodzi, co-directed by Odimba and Katie Posner, as part of Coventry City of Culture 2021, before touring the UK.
A new book by the author of A is for Activist is a rhyming, boldly illustrated vision of a better world. When you go to a march And raise your sign high You'll make people smile who thought you were shy And you'll make people wonder, does that kid really know why? You DO know of course That's why you are there You're there to say STOP! What's happening's not fair Then they say, we know what you're against End poverty stop war... But okay then what are you for? Oh! What are we for! That's my favorite question And I'm sure it's yours too Because you pay attention You have so many answers And so many options And so many solutions that you want to impart The only hard question is where does one ...
Reimagining the scholarly book as living and collaborative--not as commodified and essentialized, but in all its dynamic materiality. In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project--not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, rea...
The Little History Of Coventry packs into its pages the colour and incident of a thousand years, telling the story of a city that has perhaps been overlooked by mainstream historians, but has often been at the heart of this country's great events. From the testing ground of the saintly Godiva to fourteenth-century boom town, from Second World War Blitz victim to the next UK City of Culture, Coventry has always been an inventive place with an unerring ability to bounce back from misfortune and make its mark. This is a truly eye-opening journey through the events and characters that have shaped its story and made the city one of England's hidden jewels.
In 2021 Coventry celebrates being the national City of Culture. Modern Coventry is a product of successive rounds of industrial, economic and social developments driven by regional, national and global forces. This book presents a timely opportunity to reflect on this rich, and often misunderstood, history. The book examines the development of industry, services, infrastructure and social transformation, and the role which globalising forces have played in influencing these, particularly since the 1950s. It looks at the experiences of the city of Coventry in responding to the challenges of socioeconomic change, technological advances, reconstruction and renewal. Issues of investment, economic decline, reconstruction, employment change and local and national governance are all considered in assessing the story of modern Coventry, a city influenced by new industries and development opportunities while still being shaped by its historical economic challenges. By focusing on the case of Coventry this book contributes to debates surrounding urban structural change, economic diversification and resilience from the perspective of a medium-sized city.
The general perception of the west midlands region in the Roman period is that it was a backwater compared to the militarized frontier zone of the north, or the south of Britain where Roman culture took root early – in cities like Colchester, London ,and St Albans – and lingered late at cities like Cirencester and Bath with their rich, late Roman villa culture. The west midlands region captures the transition between these two areas of the ‘military’ north and ‘civilized’ south. Where it differed, and why, are important questions in understanding the regional diversity of Roman Britain. They are addressed by this volume which details the archaeology of the Roman period for each o...
How do different artistic and cultural practices develop in the contemporary consumer culture? Providing a new direction in cultural studies as well as a vigorous defence of the field, Angela McRobbie's new collection of essays considers the social consequences of cultural proliferation and the social basis of aesthetic innovation. In the wake of postmodernism, McRobbie offers a more grounded and even localised account of key cultural practices, from the new populism of young British artists, including Damien Hirst and Tracy Emin, to the underground London sounds of drum'n'bass, discussing music by artists such as Tricky, Talvin Singh and Goldie; from the new sexualities in girls' and women's magazines like More! and Sugar to the dynamics of fashion production and consumption. Throughout the essays the author returns to issues of livelihoods and earning a living in the cultural economy, while at the same time pressing the issue of cultural value.
Coventry has a remarkable bicycle manufacturing heritage. From the first velocipedes built in 1868, the city went on to become the home of the British Cycle Industry, and at one time produced the greatest output of cycles in the world – with well in excess of 350 individual cycle manufacturers over a 100 year period.The Coventry Machinists’ Company were the first in Britain to mass produce cycles, and steadily, more and more companies were established in the city. Soon Coventry became internationally recognised as being a place where only the very best machines were made, and the name ‘Coventry’ itself became a stamp of quality engineering and fine craftsmanship.Richly illustrated with 100 outstanding photographs from The Coventry Transport Museum, many previously unpublished, this is the first book of its kind to cover the history of Coventry bicycle manufacture and the men who built them. From Dunlop, Hobart, Singer, Premier, Rover, and Triumph to other less well known local companies, their legacies are still enjoyed by cyclists today.