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Radical Gestures
Performance art was finally recognized as an art form in its own right in the 1970s. In Radical Gestures Jayne Wark situates feminist performance art in Canada and the United States in the social context of the feminist movement and avant-garde art from the 1970s to 2000. She shows that artists drew from feminist politics to create works that, after a long period of modernist aesthetic detachment, made a unique contribution to the re-politicization of art.
Encyclopedia of Library and Information Science
Supplement 23: AIDS-HIV Programs and Services in Libraries to User Interface Evaluation
Eleven Conclusions
This book takes found language from archived exhibition catalogues from the Blaffer Art Museum, the art museum of the University of Houston. The language has been chopped up and reconfigured into prose poems and disjunctive critical analyses, and is intended to mimic an exhibition catalogue/written thesis in itself, albeit through abstracted language. This is a thesis project for artist and writer Betsy Huete
Better Worlds
This book, with its attention to literature and the visual arts as well as traditional non-fiction sources, provides a distinctive, wide-ranging exploration of utopia and education. Utopia is examined not as a model of social perfection but as an active, ongoing, imaginative ...
