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Do speakers’ identity constructions influence the emergence of new varieties of a language? This question is at the heart of a debate about how the process of the emergence of postcolonial varieties of English can best be modeled. This volume contributes to the debate by linking it to models and theories proposed by anthropological linguists, sociolinguists and discourse linguists who view identity as a social and cultural phenomenon that is produced through linguistic and other social practices. Language is seen as essential for identity constructions because speakers use linguistic forms that index social ‘personae’ as well as specific social practices and values to convey an image o...
Varieties of English in the U.S. and Canada display fascinating developments from colonial times up until the twenty-first century. To throw light on the linguistics of North American Englishes and their socio-historical contexts, this volume brings together research from various traditions, including corpus linguistics, variation studies, dialectology, historical sociolinguistics, historical pragmatics, language ideology, and the enregisterment framework. In the ten chapters of the volume, a wide variety of sources, published and unpublished, containing evidence of past language use in the U.S. and Canada are introduced and exploited for novel insights. Among the research questions addressed are the following: how to best model the emergence of new varieties of English in North America? Are morphological Americanisms historical retentions, post-colonial revivals, or progressive innovations? What is distinctly Canadian in the context of North American Englishes? How can synchronic dialects be used to examine trajectories of change in the history of Canadian English?
Explores the theories and practices of editing, the processes of production and reproduction, and the relationships between authors and texts as well as that between manuscripts and books to offer insight into the past and future of academic communication.
Joan Crawford's contribution to film noir during the 1940s and 1950s, though rarely discussed in its totality, is one of her most impressive and far-reaching career achievements. Several of her noir and noir-tinged efforts contain arguably her best acting work, and all bear her personal stamp. These aren't conventional film noirs, they are Joan Crawford noirs: highly distinctive films that extended the boundaries of noir content and brought added depth and dimension to the noir style. Unlike most actors who routinely adapted to the needs of particular film projects and directors, she approached each film, first and foremost, as a Joan Crawford vehicle, often exerting great control over multiple production functions and at times operating as a de facto producer. Examining these films as a collective and relatively cohesive body of work, this book highlights what Crawford aspired to achieve in her art, how--when the circumstances were right--she could deliver superb results, how she helped expand the possibilities for noir, and why the best of her efforts speak across the decades with such intensity and authority.
In Corpus Linguistics and Sociolinguistics, Beke Hansen analyses variation and change in the modal systems of three second-language varieties of English in Asia by taking a sociolinguistic approach to corpus data. Her study focuses on the modal and semi-modal verbs of strong obligation and necessity in Hong Kong English, Indian English, and Singapore English based on the relevant ICE component corpora. She adopts a typologically-informed perspective on variation in World Englishes by comparing the structures of the speakers’ first languages with the structures of the emergent varieties in the expression of epistemic modality. Beyond this, she analyses language change by constructing apparent-time scenarios to compensate for the lack of diachronic corpora in World Englishes.
Mood, modality and evidentiality are popular and dynamic areas in linguistics. Re-Assessing Modalising Expressions – Categories, co-text, and context focuses on the specific issue of the ways language users express permission, obligation, volition (intention), possibility and ability, necessity and prediction linguistically. Using a range of evidence and corpus data collected from different sources, the authors of this volume examine the distribution and functions of a range of patterns involving modalising expressions as predominantly found in standard American English, British English or Hong Kong English, but also in Japanese. The authors are particularly interested in addressing (co-)textual manifestations of modalising expressions as well as their distribution across different text-types and thus filling a gap research was unable to plug in the past. Thoughts on categorising or re-categorising modalising expressions initiate and complement a multi-perspectival enterprise that is intended to bring research in this area a step forward.
'A fascinating, freewheeling examination of ideas of debt, balance and revenge in history, society and literature - Atwood has again struck upon our most current anxieties' The Times 'A stimulating, learned, and stylish read from an eminent author writing from a heartfelt perspective ... very provocative' Conrad Black In this wide-ranging history of debt Margaret Atwood investigates its many meanings through the ages, from ancient times to the current global financial meltdown. Many of us wonder: how could we have let such a collapse happen? How old or inevitable is this human pattern of debt? From the earliest days of finance in ancient Babylon to the modern machinations of the World Bank, the acclaimed author of The Handmaid's Tale turns her incisive eye onto one of humanity's oldest ideas. Imaginative, topical and insightful, Payback urges us to reconsider our ideas of ownership and debt - before it is too late.
David Bret describes Joan Crawford's rise from a Kansas City laundry to collecting an Oscar for her role in 'Mildred Pierce'. He discusses her love affairs, marriages and her turbulent relationship with her children and her mother.