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Do speakers’ identity constructions influence the emergence of new varieties of a language? This question is at the heart of a debate about how the process of the emergence of postcolonial varieties of English can best be modeled. This volume contributes to the debate by linking it to models and theories proposed by anthropological linguists, sociolinguists and discourse linguists who view identity as a social and cultural phenomenon that is produced through linguistic and other social practices. Language is seen as essential for identity constructions because speakers use linguistic forms that index social ‘personae’ as well as specific social practices and values to convey an image o...
Varieties of English in the U.S. and Canada display fascinating developments from colonial times up until the twenty-first century. To throw light on the linguistics of North American Englishes and their socio-historical contexts, this volume brings together research from various traditions, including corpus linguistics, variation studies, dialectology, historical sociolinguistics, historical pragmatics, language ideology, and the enregisterment framework. In the ten chapters of the volume, a wide variety of sources, published and unpublished, containing evidence of past language use in the U.S. and Canada are introduced and exploited for novel insights. Among the research questions addressed are the following: how to best model the emergence of new varieties of English in North America? Are morphological Americanisms historical retentions, post-colonial revivals, or progressive innovations? What is distinctly Canadian in the context of North American Englishes? How can synchronic dialects be used to examine trajectories of change in the history of Canadian English?
Explores the theories and practices of editing, the processes of production and reproduction, and the relationships between authors and texts as well as that between manuscripts and books to offer insight into the past and future of academic communication.
Joan Crawford's contribution to film noir during the 1940s and 1950s, though rarely discussed in its totality, is one of her most impressive and far-reaching career achievements. Several of her noir and noir-tinged efforts contain arguably her best acting work, and all bear her personal stamp. These aren't conventional film noirs, they are Joan Crawford noirs: highly distinctive films that extended the boundaries of noir content and brought added depth and dimension to the noir style. Unlike most actors who routinely adapted to the needs of particular film projects and directors, she approached each film, first and foremost, as a Joan Crawford vehicle, often exerting great control over multiple production functions and at times operating as a de facto producer. Examining these films as a collective and relatively cohesive body of work, this book highlights what Crawford aspired to achieve in her art, how--when the circumstances were right--she could deliver superb results, how she helped expand the possibilities for noir, and why the best of her efforts speak across the decades with such intensity and authority.
In Corpus Linguistics and Sociolinguistics, Beke Hansen provides an in-depth analysis of variation and change in the expression of modality in second-language varieties of English by adopting an integrated sociolinguistic and corpus-based approach.
Simon Martin Christiansen, son of Kristian Edvard Johansen (1853-1900) and Tina Pauline W. Pedersdatter, was born in 1880 in Vaagen, Nordland, Norway. He married Ingrid Maria Amalie Paulsen (1888-1963), daughter of Paul Andreas Paulsen (1854-1898) and Karen Mikkelborg Ellingsen (1845-1938), in 1906. He died in 1925 in Salt Lake City, Utah.
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