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Something of a ?foreigner? in his own country, Richard Outram was uncommonly dedicated to living an "examined life" and to the act of creation for its own reward. This book represents a posthumous, introductory panorama of this late Canadian poet's work, written by those who continue to admire his achievement. Much of it is new material, offering fresh consideration and a charting of the path of Outram's lifelong engagement with poetry.
‘A poem, I thought, is a physical object, as tactile as a statue. I began to consider poems in textual terms; there were shaggy surfaces, knobbly ones, mere veneers as sleek as glassine, but my favourites were those in which a complex and tensile music prevailed....’ Eric Ormsby, that gracious, intelligent and occasionally fractious poet, has produced another vigorous collection of essays to shake North American literary criticism from its lethargy. Opinionated and hilarious, Ormsby indulges his wide-ranging interests and discusses writers from Bob Dylan to S. D. Goitein, La Fontaine to Leo Tolstoy. Fine Incisions also draws connections between Ormsby’s literary criticism and his trave...
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
Anne Wilkinson’s poetic career emerged during a time of few Canadian poets—and even fewer who were women. The Essential Anne Wilkinson showcases the work of her abbreviated but meaningful career, with poems that range from intellectual and symbolic lyrics, to direct, incisive satire. Infused with a woman’s perspective, Wilkinson’s poems reflect her attempts to come to terms with the restrictive world within which she was born and to find her voice amid the expectations of society, gender and class. The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible, and affordable. The Essential Anne Wilkinson is the 11th volume in the series.
Despite an impressive post-secondary education and a body of work that spans more than twenty books and seven decades, Elizabeth Brewster’s quiet humility in the face of ‘all that tradition’ of the Western literary canon belies her contribution to Canada’s cultural history. Perhaps fittingly, her poems demonstrate a sense of isolation, a quest for selfhood, a desire to understand and to be understood. Often conversational in tone, her poems are direct and characterized by a deliberate economy of language and freedom from the restrictions of traditional form. Editor Ingrid Ruthig examines the aesthetic touchstones, stylistic shifts and thematic range in the poetry of a woman ‘whose work is included in critical anthologies while her name is missing from their introductions.’ The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential Elizabeth Brewster is the twenty-second volume in the increasingly popular series.
When Marjorie Hill graduated in 1920 as Canada’s "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North America. Profiles of the women who graduated from the School of Architecture at the University of Toronto between 1920 and 1960 are illustrated with photographs of their work and include archival material that has never before been published. The final chapter on contemporary women in architecture showcases contributions by leading women architects across the country, from Halifax to Vancouver to Iqaluit. For the Record also provides current information on schools of architecture in Canada and includes a list of other resources to encourage young women who are thinking of pursuing careers in architecture.
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“A magnificent novel” based on the 1872 Polaris expedition that left crewmembers marooned on an ice floe off the coast of Greenland (The New York Times Book Review). It is 1871. Nineteen men, women, and children, hailing from the United States, Germany, Denmark, England, and Sweden, and including two Inuit families, set out on Arctic explorer USS Polaris. But their voyage soon goes wrong. The ship founders, leaving its passengers adrift on an ice floe and, ultimately, stranded alone in the Arctic for six harrowing months. Based on an incredible true story, Afterlands envisions in vivid detail both the life-and-death challenges of the harsh landscape and the violent human threats of nationalism, ethnicity, rivalries, suspicion, hunger, and love. Weaving together fiction and history, and drawing on the writings of one of the passengers on the actual journey, Lt. George Tyson, Steven Heighton’s “beautifully written” novel explores the shattering emotional and psychological consequences faced by those who survived (The Washington Post). “An exceptionally satisfying adventure.” —Publishers Weekly
This book traces the remarkable journey of Hébert’s shifting authorial identity as versions of her work traveled through complex and contested linguistic and national terrain from the late 1950s until today. At the center of this exploration of Hébert’s work are the people who were inspired by her poetry to translate and more widely disseminate her poems to a wider audience. Exactly how did this one woman’s work travel so much farther than the vast majority of Québécois authors? Though the haunting quality of her art partly explains her wide appeal, her work would have never traveled so far without the effort of scores of passionately committed translators, editors, and archivists....