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Includes entries for maps and atlases.
They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.
Why did the main challenge to the Ottoman state come not in peasant or elite rebellions, but in endemic banditry? Karen Barkey shows how Turkish strategies of incorporating peasants and rotating elites kept both groups dependent on the state, unable and unwilling to rebel. Bandits, formerly mercenary soldiers, were not interested in rebellion but concentrated on trying to gain state resources, more as rogue clients than as primitive rebels. The state's ability to control and manipulate bandits—through deals, bargains and patronage—suggests imperial strength rather than weakness, she maintains. Bandits and Bureaucrats details, in a rich, archivally based analysis, state-society relations ...
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Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
This Handbook offers an overview of the archaeology of the Levant. Written by leading scholars in the field, it integrates the treatment of the archaeology of the region within its larger cultural and social context and focuses chronologically on the Neolithic through to the Persian periods.
This third volume in the Archaeology of Anatolia series offers reports on the most recent discoveries from across the Anatolian peninsula. Periods covered here span the Epipalaeolithic to the Medieval, and sites and regions range from the western Anatolian coast to Van, as well as the southeast. The contributors offer nearly real-time updates on their ongoing excavations and surveys across the Anatolian landscape. A new section in this third volume, “The State of the Field,” presents the latest findings in critical areas of Anatolian archaeology. The Archaeology of Anatolia series represents a forum for scholars to report their most recent data to a global audience, allowing for productive engagement with others working in and near Anatolia. Published every two years, it is an invaluable vehicle through which working archaeologists may carry out their most critical task: the presentation of their fieldwork and laboratory research in a timely fashion.
Lavishly illustrated with beautiful photographs and original plans, traces the story of this colourful, significant and complex place through its physical development and provides, for the first time in English, a compelling and unique exploration of a.