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The International Courtly Literature Society aims to promote the study of courtly literature, primarily, but not exclusively, of medieval Europe. The 45 articles selected here from the papers presented at the 5th Congress center around three themes: rhetoric and courtly literature, the audience of courtly literature, and courtly literature in a comparative perspective. There are contributions by specialists in Old French Literature on such diverse topics as Adenet le Roi, Rene d'Anjou, Le Bel Inconnu, and 15th-century prose chronicles; by Provencalists on the eternal topic of courtly love; by Anglicists on Chaucer, Henryson, Malory, and others; by Germanists on Heinrich von Morungen, der Schwanritter, and Walther von der Vogelweide; by Hispanists on La Celestina and the Historia Troiana; there are also articles on Italian, Dutch, and Scandinavian literature, and two relating to Persian and Arabic courtly texts.
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This collection contains 34 papers from the 1992 Congress of the International Courtly Literature Society. They cover all aspects of medieval European courtly literature (including Latin), from representations of sexuality in early texts to the influence of literature on historiography.
A wide overview of court culture in the middle ages.
This collection brings together twelve selected papers given at the Second Triennial Congress of the International Courtly Literature Society. Because the courtly ethos is the central phenomenon marking medieval vernacular literature, it provides a theme that serves as an ideological guide through the later Middle Ages and on into the Renaissance and as a framework for the essays collected in this volume.
The International Courtly Literature Society was founded in 1973 to foster the study of all aspects of courtly literature - an interest not limited to European medievalists, although they provide one of the society's main focuses. The ICLS holds triennial international conferences, the third in Liverpool, England in 1980. Professor Glyn Burgess has edited a volume containing about one-third of the papers presented there. He opens it with the three plenary speakers, Charles Muscatine, Alan Deyermond, and John Benton, who illuminate conflicting aspects of life and literature held in tension in the productions of medieval court poets. The remaining 29 contributions represent the principal national literatures discussed at the Congress - English, French, German, Provencal and Spanish - and offer a wide variety of perspectives and approaches to courtly literature, including comparisons between literary and artistic artefacts.
42 papers on all aspects of court-orientated culture, ranging from the period of the earliest troubadour, William of Poitiers, in the twelfth century, to the Renaissance and beyond.