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Power Ballads
Real musicians don’t sign autographs, date models, or fly in private jets. They spend their lives in practice rooms and basement clubs or toiling in the obscurity of coffee-shop gigs, casino jobs, and the European festival circuit. The ten linked stories in Power Ballads are devoted to this unheard virtuoso: the working musician. From the wings of sold-out arenas to hip-hop studios to polka bars, these stories are born out of a nocturnal world where music is often simply work, but also where it can, in rare moments, become a source of grace and transcendence, speaking about the things we never seem to say to each other. A skilled but snobby jazz drummer joins a costumed heavy metal band to...
The Iowa Award
The Iowa Award was established in 1969 to provide a forum for the publication of a uniquely American literary form.
Of This New World
Of This New World offers a menagerie of utopias: real, imagined, and lost. Starting with the Garden of Eden and ending in a Mars colony, the stories wrestle with conflicts of idealism and practicality, communal ambition and individual kink. Stories jump between genres—from historical fiction to science fiction, realism to fabulism—but all ask that fundamental human question: is paradise really so impossible? Over the course of twelve stories, Hyde writes with a mix of lyricism, humor, and masterful detail. A group of environmental missionaries seeks to start an ideal eco-society on an island in The Bahamas, only to unwittingly tyrannize the local inhabitants. The neglected daughter of a ...
Outside Is the Ocean
Three days after her twentieth birthday, a young woman who grew up in Germany during World War II crosses the Atlantic to start a new life. Outside Is the Ocean traces Heike’s struggle to find love and happiness in America. After two marriages and a troubled relationship with her son, Heike adopts a disabled child from Russia, a strong-willed girl named Galina, who Heike hopes will give her the affection and companionship she craves. As Galina grows up, Heike’s grasp on reality frays, and she writes a series of letters to the son she thinks has abandoned her forever. It isn’t until Heike’s death that her son finds these letters and realizes how skewed his mother’s perceptions actually were.
When Mystical Creatures Attack!
In When Mystical Creatures Attack!, Ms. Freedman’s high school English class writes essays in which mystical creatures resolve the greatest sociopolitical problems of our time. Students include Janice Gibbs, “a feral child with excessive eyeliner and an anti-authoritarian complex that would be interesting were it not so ill-informed,” and Cody Splunk, an aspiring writer working on a time machine. Following a nervous breakdown, Ms. Freedman corresponds with Janice and Cody from an insane asylum run on the capitalist model of cognitive-behavioral therapy, where inmates practice water aerobics to rebuild their Psychiatric Credit Scores. The lives of Janice, Cody, and Ms. Freedman are reve...
Pulp and Paper
“I glanced out the window as my train pulled into the station and saw the girl who killed my son.” So begins Josh Rolnick’s powerful debut collection of eight stories, which utilizes a richly focused narrative style accenting the unavoidable tragedies of life while revealing the grace and dignity with which people learn to deal with them. The stories—four set in New Jersey and four in New York—span the wide geographic tapestry of the area and demonstrate the interconnectedness of both the neighboring states and the residents who inhabit them. In “Funnyboy,” a grief-stricken Levi Stern struggles to come to terms with the banality of his son’s accidental death at the hands of M...
Ancestry
How does one live a good life? If you’re Pat Graves, you change your name to Cecile Collette, move to Cleveland, and join three churches and the Rotary Club. For Cecile, who will reinvent herself again before the story ends, it may be possible to make Michigan and everything else she touches beautiful, but she’ll come to grief when she tries to redesign another human being. In the title story, Mackenzie, a girl without looks or potential, builds a full life in Paris, based on the sketchy belief that she had an ancestor renowned for being dauntless. College freshman Adam, holding a fantasy of his newly discovered father, finds the man broke and foolish; still he does all he can to rescue his dad from a disastrous contract. Kate, convinced she’s doing the right thing, helps her cousin gain full custody of his daughter, only realizing years later the truth of what happened. Watching CNN, a grandmother recalls a date she once had with a man now giving advice on foreign policy. Whether set in Scandinavia, America, France, England, Australia, or Nepal, these stories champion those who are tenacious in the face of life’s surprises.
You Never Get It Back
The linked stories in Cara Blue Adams’s precise and observant collection offer elegantly constructed glimpses of the life of Kate, a young woman from rural New England, moving between her childhood in the countryside of Vermont and her twenties and thirties in the northeast, southwest, and South in pursuit of a vocation, first as a research scientist and later as a writer. Place is a palpable presence: Boston in winter, Maine in summer, Virginia’s lush hillsides, the open New Mexico sky. Along the way, we meet Kate’s difficult bohemian mother and younger sister, her privileged college roommate, and the various men Kate dates as she struggles to define what she wants from the world on her own terms. Wryly funny and shot through with surprising flashes of anger, these smart, dreamy, searching stories show us a young woman grappling with social class, gender, ambition, violence, and the distance between longing and having.
Ticket to Minto
Ticket to Minto, Sohrab Homi Fracis's premier fiction collection, offers readers a passage to an unfamiliar destination-a world suspended between East and West, India and America, home and away. With piercing insight, Fracis expertly reveals the underlying differences between immersion in India's culture-Hindu, Muslim, or Parsi-and life as an Indian in America. Alternating between East and West, the stories in Ticket to Minto serve as companion pieces, interrelated across continents in both theme and content. A middle-aged man's search for love in Bombay is contrasted with an Indian American family's hopes for the marriage of their westernized daughter. A university student rushes to save the life of a servant in his homeland only to find his own life threatened while attending graduate school in America. Poignant and daring, Ticket to Minto underlines the harsh realization that the immigrant never truly arrives but is in constant limbo between two worlds. As one character relates, "There's a part of me that's American and a part that's Indian. I'm clear about that and comfortable with it, except that sometimes people want me to be just the one or the other."
Desert Gothic
This powerful debut collection, set in the light-filled deserts of Nevada and Arizona, introduces a darkly inventive new voice. Like an early Richard Ford, Don Waters writes with skill, empathy, and an edgy wit of worlds not often celebrated in contemporary literature. Set in bars, mortuaries, nursing homes, truck stops, and the “poverty motels that encircled downtown’s casino corridor,” Waters’s ten stories are full of misfit transients like Julian, a crematorium worker who decorates abandoned urns to create a “lush underground island,” and the instant Mormon missionary Eli, a hapless divorcé who “always likes people better when they’re a little broken.”
