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''Utterly absorbing and standout tales... Baal's witty and unconventional prose will hook you in right from the start.' – Cosmopolitan Man Hating Psycho is the caustic new collection of stories from visionary writer Iphgenia Baal. Interrogating the disconnect between our public identities and real-life selves, Baal exposes the inherent duplicity of online communication. Text messages relaying deep personal crisis are nothing more than an annoyance, WhatsApp takedowns of wide-eyed left-wingers unfold at breakneck speed, friendships that seem set in stone disintegrate at the first hint of sex, the language of love degraded as life becomes more and more transactional. With black and disquieting humour, thirteen playful texts disparage the highly-profitable superstitions that are the scaffolding of our current social order. Man Hating Psycho lays bare the trappings of modern life, whilst putting the short story form through a literary mincer.. 'An extraordinary voice, and if you want to understand what happens next in modern writing, you'd do well to listen to it. A revelation.' – Alan Moore
The degenerate area surrounding London's Kings Cross is the setting for the debut novella by young British writer Iphgenia Baal. Beginning in the nineteenth century and spanning the next 150 years we are lead through a potted history of the overbrimming St Pancras cemetery, long before the metropolis rode over its bones. Writer Thomas Hardy was also an architect, and was delegated the unenviable task by the Bishop of London of exhuming and dismantling the tombs to make way for this progress. Here he heads a cast composed of the living and the dead, set into turmoil as the modern world entrenches on sacred soil. A post-psychogeographic gothic tale of morality is backed up by a series of forged documents, maps and missives. Somewhere between the two, Baal creates a world where fact and fiction eerily blur; a sanctuary for the over-imaginative. The Hardy Tree is a book-guide-manual about trains and brains and cliques and freaks. It is a demonstration of how stories are made and an argument for chaos, anarchy and lawlessness. It is also a ghost story. With a happy ending.
An account of a dysfunctional love affair, narrated via SMS, email, Facebook and Google search results, act as a body of circumstantial evidence, betraying a 'real' intimacy behind a messy social media scandal that spilled into tabloid coverage. Told against a backdrop of a pre-Olympic London where east London's awful art parties, populated by the debased progeny of the rich and famous, do little to dispel 90s rave nostalgia, Iphgenia Baal's non-fiction novel balances at the intersection of death, mourning, and Facebook.
Mercedes Benz is a dysfunctional love affair strung out over SMS, BBM, email and Facebook. Set in a barely credible 2011 London, Iphgenia Baals third novel, edited by cult author Stewart Home, describes a world where Bow E3s high-rise estates are no longer the Ends, awful art parties do little to dispel 1990s nostalgia and downward mobility proves to be a much more intoxicating drug than heroin. If the story told here isnt a tragedy, love is dead! Iphgenia Baal, a London-based writer (and formerly a journalist) has been published in Smoke: A London Peculiar, The White Review, and The Milan Review. She has also self-published two zines: The Gentle Art of Tramping and No! No! No! No! No! No! No! In 2011, Baal was nominated for the Granta Young British Novelist award for her first book, The Hardy Tree.
A collection of short stories, this is a book about folk devils: creatures at war with respectable society and the conventions on which respectable society is based. It can also be read as a heartrending account of the permanent degradation of men of great talent due to persistent lack of self-control--often indistinguishable from madness. Gentle Art's diminutive dimensions echo the intent of early devotional literature--an almost disposable object, designed for personal edification and spiritual formation. Referencing Stephen Graham's 1927 work, The Gentle Art of Tramping--a manual for life on the other side--Gentle Art is a departure from standard experimental literature. Its aim is not to be difficult. Kidnapping personas from real life (marvellous George, the petrol-drinker, the ket-head with a woman for a cock and many more!) and entering them into absurd formatting--from Choose Your Own Adventure to a compilation of quotes footnoting the entire text--Baal's stories demonstrate how and why people slip beyond the norms of society and report back on what lies in store when they get there--From Amazon.com.
Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere.
Discover more than 100 ideas to help you become an eco-friendly gardener. RHS Do Bees Need Weeds is packed with more than 100 practical questions and answers to help you become a more eco-friendly gardener, and show you how to adopt a more sustainable way of gardening. The book includes simple, low-cost ideas, from fun projects such as how to build a wormery or a homemade water butt to advice on which plants suit bees best and how to achieve a zero-waste garden. In these pages you will find dozens of solutions to common garden problems as well as inspiring innovations that reduce your gardening consumption, tackle waste and help the environment. Filled with fascinating facts and ideas that w...
Best friends and flatmates Foxy-T and Ruji-Babes run the E-Z Call Telephone and Internet shop in the heart of Bangladeshi East London. It's a twelve-hour day running the E-Z Call and Foxy-T and Ruji-Babes don't get out much, but they have each other and eat their take-outs by candlelight ...And all seems cool until Zafar Iqbal turns up on their doorstep looking for his grandad. Fresh from Feltham Young Offenders Centre and with a taste for the weed, Zafar's presence rapidly upsets the balance at the E-Z Call ...
'Hatty Nestor is a writer of rare commitment, ambition and talent, whose interest in the field of criminal and carceral portraits has already produced an urgent and engaged piece of research and writing. The book outlined here mounts a timely and compelling case for such representation as more urgently than ever in need of analysis.' Brian Dillon, author of Essayism Prisons systematically dehumanise the imprisoned. Visualised through mugshots and surveillance recordings, the incarcerated lose control of their own image and identity. The criminal justice system in the United States does not only carry out so-called justice in ways that compound inequality, it also minimises the possibility fo...
Girls Are Coming Out of the Woods is Tishani Doshi's third collection, following two earlier, highly praised collections, Everything Belongs Elsewhere, published by Bloodaxe in 2012, and her debut, Countries of the Body, winner of the Forward Prize for best first collection. Poetry Book Society Recommendation shortlisted for the Ted Hughes Prize.