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D.W. Griffith: Master of Cinema
  • Language: en
  • Pages: 122

D.W. Griffith: Master of Cinema

  • Type: Book
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  • Published: 2015-12-08
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  • Publisher: FriesenPress

Exhaustively researched and accessibly written, D.W. Griffith: Master of Cinema is a remarkably comprehensive biography of the legendary director and his days creating his craft at the American Biograph Company between 1908 through 1913. Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer. Even a casual film fan can see the lines being drawn from the techniques Griffith developed to modern cinematic experience. Ira Gallen’s exploration of Griffith’s family and his early life sets the stage for his career, and give great context for who he would become. His intricate details about early stage and film paint such a vivid and evocative picture of the time that you will be truly drawn into another world while reading it.

D.W. Griffith's 100th Anniversary The Birth of a Nation
  • Language: en
  • Pages: 675

D.W. Griffith's 100th Anniversary The Birth of a Nation

  • Type: Book
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  • Published: 2014-04-07
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  • Publisher: FriesenPress

A HISTORY OF THE MOST CONTROVERSIAL MOTION PICTURE EVER MADE A hundred years have passed since the masterpiece of David Wark Griffith, The Birth of a Nation, first appeared on the screens of America, in the winter of 1915. It demonstrated that the cinema, no less than literature and no less than the stage, could become a topic of serious critical, esthetic, intellectual, political, social, and technical discussion. In this way it brought the motion picture into a position of commanding influence in the social life of the American nation. The denunciation continues, and the storm over the film serves as a barometer of the global conflict, involving forces and issues set in motion by, but no m...

D.W. Griffith: Master of Cinema
  • Language: en
  • Pages: 582

D.W. Griffith: Master of Cinema

  • Type: Book
  • -
  • Published: 2015-12-15
  • -
  • Publisher: FriesenPress

Exhaustively researched and accessibly written, D.W. Griffith: Master of Cinema is a remarkably comprehensive biography of the legendary director and his days creating his craft at the American Biograph Company between 1908 through 1913. Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer. Even a casual film fan can see the lines being drawn from the techniques Griffith developed to modern cinematic experience. Ira Gallen’s exploration of Griffith’s family and his early life sets the stage for his career, and give great context for who he would become. His intricate details about early stage and film paint such a vivid and evocative picture of the time that you will be truly drawn into another world while reading it.

D.W. Griffith's 100th Anniversary The Birth of a Nation
  • Language: en
  • Pages: 675

D.W. Griffith's 100th Anniversary The Birth of a Nation

A hundred years have passed since the masterpiece of David Wark Griffith, The Birth of a Nation, first appeared on the screens of America, in the winter of 1915. It demonstrated that the cinema, no less than literature and no less than the stage, could become a topic of serious critical, esthetic, intellectual, political, social, and technical discussion. In this way it brought the motion picture into a position of commanding influence in the social life of the American nation. The denunciation continues, and the storm over the film serves as a barometer of the global conflict, involving forces and issues set in motion by, but no means limited to, race. As Griffith's official biographer, Seymour Stern's main purpose of his book was to assemble, as extensively as possible, the rapidly vanishing record of what happened.

In the Shadow of The Birth of a Nation
  • Language: en
  • Pages: 313

In the Shadow of The Birth of a Nation

This collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations.

Namath: A Biography
  • Language: en
  • Pages: 529

Namath: A Biography

  • Type: Book
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  • Published: 2005-07-26
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  • Publisher: Penguin

In between Babe Ruth and Michael Jordan there was Joe Namath, one of the few sports heroes to transcend the game he played. Novelist and former sports-columnist Mark Kriegel’s bestselling biography of the iconic quarterback details his journey from steel-town pool halls to the upper reaches of American celebrity—and beyond. The first of his kind, Namath enabled a nation to see sports as show biz. For an entire generation he became a spectacle of booze and broads, a guy who made bachelorhood seem an almost sacred calling, but it was his audacious “guarantee” of victory in Super Bowl III that ensured his legend. This unforgettable portrait brings readers from the gridiron to the go-go nightclubs as Kriegel uncovers the truth behind Broadway Joe and why his legend has meant so much to so many.

Teleliteracy
  • Language: en
  • Pages: 340

Teleliteracy

The phenomena of television is examined, from the historical context and television as an art form to television in various aspects of modern society such as TV in the classroom and on the battlefield.

Orson Welles in Focus
  • Language: en
  • Pages: 245

Orson Welles in Focus

Through his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles's multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles's work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles's work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totality illuminates and expands our perception of his contributions that continue to resonate today.

The End of Victory Culture
  • Language: en
  • Pages: 410

The End of Victory Culture

"Sets out to trace the vicissitudes of America's self-image since World War ll as they showed up in popular culture: war toys, war comics, war reporting, and war films. It succeeds brilliantly ... Engelhardt's prose is smart and smooth, and his book is social and cultural history of a high order." Boston Globe, from the bookjacket.

Coming Back to a Theater Near You
  • Language: en
  • Pages: 492

Coming Back to a Theater Near You

  • Type: Book
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  • Published: 2016-05-31
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  • Publisher: McFarland

In the Silent Era, film reissues were a battle between rival studios--every Mary Pickford new release in 1914 was met with a Pickford re-release. For 50 years after the Silent Era, reissues were a battle between the studios, who considered old movies "found money," and cinema owners, who often saw audiences reject former box office hits. In the mid-1960s, the return of The Bridge on the River Kwai (1957)--the second biggest reissue of all time--altered industry perceptions, and James Bond double features pushed the revival market to new heights. In the digital age, reissues have continued to confound the critics. This is the untold hundred-year story of how old movies saved new Hollywood. Covering the booms and busts of a recycling business that became its own industry, the author describes how the likes of Charlie Chaplin, Humphrey Bogart and Alfred Hitchcock won over new generations of audiences, and explores the lasting appeal of films like Napoleon (1927), Gone with the Wind (1939), The Rocky Horror Show (1975) and Blade Runner (1982).